Variations on an old Russuan chant: nostalgia for Imperial Russia in the Vladimir Dukelsky's oeuvre
Abstract
The article explores Variations on an Old Russian Chant for Oboe and Strings by Vladimir Dukelsky (1955) as an example of the “Russian theme” (using the term by M. Druskin) which is not typical for Dukelsky’s late works. Variations is one of the few classical compositions by Duke recorded during his lifetime. As is shown in the table, the Russian theme had been a high priority in Dukelsky’s oeuvre till the late 1930s, while during the next decade (after taking the US citizenship) the composer almost gave it up. Variations appeared in the time of historical changes. This work marked Duke’s nostalgia for the “imperial” period of Russian history. That year Duke published his first book—memoirs Passport to Paris. At the same time, he entered into the longlasting collaboration with the Radio Liberty. As a musical text and a historical document, Variations correlate with the question put by Prof. Richard Taruskin: Is There a “Russia Abroad” in Music? Variations are modal by nature and formulaic in structure. The composer made a very flexible use of the formulaic principle in his series of variations where the initial theme changed beyond recognition. The analysis of historical documents suggests that in his late works Dukelsky sought to give his own perspective on the historical mission of the first-wave émigré.
Keywords: Vladimir Dukelsky, Vernon Duke, Variations on an Old Russian Chant for Oboe and Strings, Russia abroad, music of Russian émigré
For citation: Maksimova A. S. Variations on an old Russuan chant: nostalgia for Imperial Russia in the Vladimir Dukelsky's oeuvre [Electronic source]. In: Sovremennye problemy muzykoznaniya / Contemporary Musicology, 2021, no. 3, pp. 73–87. (In Russ.) DOI: 10.56620/2587-9731-2021-3-073-087
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DOI: https://doi.org/10.56620/2587-9731-2021-3-073-087
Copyright (c) 2021 Antonina S. Maksimova
License URL: https://creativecommons.org/licenses/by-nc/4.0/