Vol 8, No 3 (2024)

Contemporary Musicology

DOI: https://doi.org/10.56620/2587-9731-2024-3

Full Issue

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Table of Contents

Musical Terminology

The Terms Selete and Pause in the Manuscripts of the Productions of The Seven Joys of Mary in Brussels: the Significance and the Functions
Irina V. Klimova
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10-29

Technique of Musical Composition

The Scene of the Council Hall: the Storyline and the Structure of the Grand Final Scene in the Second Edition of Verdi’s Opera Simon Boccanegra
Anastasia A. Logunova
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30-49

History of Music in Letters and Documents

From the History of the Publication of the Opera The Woman with the Dagger: Vladimir Rebikov — Boris Jurgenson — Arthur Schnitzler
Elena M. Shabshaevich
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50-67

Music in the Drama Theatre

Between a Fairy Play and an Opera: Razryv-trava (Rip-grass) by Evgeny Goslavsky and Alexander Schaefer at the Maly Theater (1901)
Alexander V. Naumov
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68-85

From the History of National Composer Schools

Ahmed Adnan Saygun’s Opera “Őzsoy” — a Cultural-Political Project and an Artistic Event in 20th Century Turkish Music
Natalia I. Degtyareva, Makhruza N. kyzy Dzhavadova
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86-103

History and Theory of Performance

Vocal Ornamentation in Caccini: From Theory to Practice
Elena V. Kruglova
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104-120