Editorial Board
Irina P. Susidko, Gnesin Russian Academy of Music, Russian Federation
Levon O. Hakobian, State Institute for Art Studies, Russian Federation
Mikhail L. Andreev, A. M. Gorky Institute of World Literature of the Russian Academy of Sciences, Russian Federation
Lorenzo Gennaro Bianconi, Alma Mater Studiorum — Università di Bologna, Italy
Vera B. Val’kova, Gnesin Russian Academy of Music, Russian Federation
Andreas Wehrmeyer, Universität Regensburg, Germany
Larisa L. Gerver, Gnesin Russian Academy of Music, Russian Federation
Petr N. Gordeev, The Herzen State Pedagogical University of Russia, Russian Federation
Zivar M. Guseinova, Saint Petersburg Rimsky-Korsakov State Conservatory, Russian Federation
Natalia S. Gulyanitskaya, Gnesin Russian Academy of Music, Russian Federation
Andrei V. Denisov, Saint Petersburg Rimsky-Korsakov State Conservatory, Russian Federation
Vadim R. Dulat-Aleev, Zhiganov Kazan State Conservatoire, Russian Federation
Larisa V. Kirillina, Tchaikovsky Moscow State Conservatory, Russian Federation
Dina K. Kirnarskaya, Gnesin Russian Academy of Music, Russian Federation
Giuseppina La Face, Alma Mater Studiorum — Università di Bologna, Italy
Svetlana V. Lavrova, Vaganova Ballet Academy, Russian Federation
Jianfu Li, Liupanshui Normal University, Liupanshui, Guizhou, China
Inna Naroditskaya, Northwestern University, United States
Tatiana I. Naumenko, Gnesin Russian Academy of Music, Russian Federation
Alexei A. Panov, Saint Petersburg State University, Russian Federation
Aleksandr S. Ryzhinskii, Gnesin Russian Academy of Music, Russian Federation
Tatiana B. Sidneva, Glinka Nizhny Novgorod State Conservatoire (Academy), Russian Federation
Ildar D. Khannanov, Peabody Institute, Johns Hopkins University, United States
Tatiana V. Tsaregradskaya, Gnesin Russian Academy of Music, Russian Federation
Philip Ewell, Hunter College, City University of New York, United States
Xuqing Wang, Shanghai Conservatory of Music, Shanghai, China, China