Three methods of play with «loanword» in Luciano Berio’s music

Nadezhda A. Travina, Mikhail A. Saponov

Abstract


The article is dedicated to Italian composer Luciano Berio’s methods of play with «loanword». The peculiarities of musical compositions with borrowed musical material as well as original literary source are analyzed. Such pieces as «Folksongs», «A-Ronne» and «Recital I for Cathy» demonstrate three aspects of postmodern phenomenon in Berio's music.

Keywords: Luciano Berio, Cathy Berberian, the game, quotations, allusions


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