Contemporary Musicology

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Home > Archives > No 4 (2017)

Table of Contents

Musical Theatre

"Disappointed Forest" and its predecessors: some observations on the history of ballet parody in Russia in the second half of the nineteenth and early XX-th centuries Natela I. Enukidze

PDF (Русский) 2-24

Working on the Soviet Opera after 1936 Tatiana I. Naumenko

PDF (Русский) 25-44

Classics of the 20th Century

About «Own» and «Other’s» in Finale of Shostakovich’s Fifteenth Symphony Olga V. Shmakova

PDF (Русский) 45-55

Music at the Turn of the 20th-21st Centuries

«Deconstruction» of Symphony Orchestra in Electroacoustic Compositions by I. Xenakis Anna V. Stoyanova

PDF (Русский) 56-65

The «Polyphony» of Compositional Tools in the Music by Michael Nyman Aleksandra Y. Alekseeva

PDF (Русский) 66-76

Discussion

Appropriation in Visual Art, but what about Music? Maya I. Shinkareva

PDF (Русский) 77-92

Researchs of Young Musicologists

Three methods of play with «loanword» in Luciano Berio’s music Nadezhda A. Travina, Mikhail A. Saponov

PDF (Русский) 93-104