Folk Songs in the Organ Music of Basque Composers

Gabriela Ana Navarro Landaverria

Abstract


The organ culture of the Basque Country and Navarre developed under the influence of European trends, primarily associated with the emergence of Romantic organs and, secondly, with a reassessment of the role of music in Catholic worship. Basque composers who studied in France, Germany, and Belgium played a significant role in disseminating these ideas. Equally important was the strong national character of Basque music, often referred to as nacionalismo musical. The acutely perceived national distinctiveness of Basque music, known as musical nationalism, was also of great importance. Folk songs were closely linked to the colour local of Basque organ music; in several works, thematic material was drawn from collections compiled by musicologists Resurrección María de Azkue and José Antonio de Donostia. Padre Donostia was  also an organist and composer who incorporated folk material into his organ works.  Composer-organist Jesús Guridi similarly drew upon folk sources. This article  analyzes organ compositions that incorporate folk songs and identifies principles  for their adaptation to professional music genres.

Keywords: organ, organ repertoire, Romantic organ, folk songs, Renaissance, Spain, Basque Country, Navarre

Acknowledgments: I would like to express my deep gratitude to my  Scientific Adviser Professor Larisa L. Gerver for the meaningful contribution in writing of this article, for valuable advice and important recommendations.

For citation: Navarro Landaverria, G. A. (2025). Folk Songs in the Organ Music of Basque Composers. Contemporary Musicology, 9(4), 103−131. https://doi.org/10.56620/2587-9731-2025-4-103-131


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DOI: https://doi.org/10.56620/2587-9731-2025-4-103-131

Copyright (c) 2025 Gabriela Ana Navarro Landaverria

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