Vol 9, No 4 (2025)

Contemporary Musicology

DOI: https://doi.org/10.56620/2587-9731-2025-4

Full Issue

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Table of Contents

Technique of Musical Composition

Operatic forms of Mikhail Glinka in the context of Western European theory and practice
Irina P. Susidko
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10-48

Musical Theatre

La finta giardiniera by Pasquale Anfossi and Wolfgang Amadeus Mozart: Versions of two opera capitals (Rome and Munich)
Pavel V. Lutsker
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49-81

Source Studies

On an Unknown Draft Notebook in the Literary Heritage of Alexander N. Scriabin
Valentina V. Rubtsova
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82-102

From the History of National Composer Schools

Folk Songs in the Organ Music of Basque Composers
Gabriela Ana Navarro Landaverria
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103-131

Shostakovich in memoriam

Shostakovich and death: A lifelong musical thanatology
Marina G. Raku
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132-169
Resonances of absence: Voice, nostalgia, and memory in Dmitri Shostakovich’s Seven Romances on Verses by Alexander Blok
Ivana Petković Lozo
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170-225

Music at the Turn of the 20th-21st Centuries

Vladimir Tarnopolsky’s ...Le vent des mots...: Towards a Poetics of Elusive Sensation
Marianna S. Vysotskaya
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226-248
Operas by Poul Ruders: Artistic Ideas, Dramaturgy, Style
Ekaterina G. Okuneva
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249-269

Book Reviews

Paisiello e la Russia. Lettere al conte Voroncov, by G. Giuliano and P. De Simone*
Anton O. Demin
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270-281