Contemporary Musicology

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Home > Archives > Vol 8, No 1 (2024)

DOI: https://doi.org/10.56620/2587-9731-2024-1

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Table of Contents

Early Music

Theorist, Composer, Music Teacher Mikhail Berezovsky and His “Adaptation” of Nikolay Diletsky’s Treatise Anna V. Bulycheva, Aleksandra V. Alexandrina

PDF (Русский) 11-49

Small-Scale Opera Genres in Vienna before and after Christoph Willibald Gluck’s Orfeo ed Euridice: Adaptation and Polemics Irina P. Susidko

PDF PDF (Русский) 50-71

Music and Literary Text

Lermontov’s Texts in Tchaikovsky’s Oeuvre Zivar M. Guseinova

PDF (Русский) 72-82

Musical Theatre

‘I Invoke You to Understand My Despair Due to the Disruption of the Production Plan.’ Yuri Shaporin, Elena Malinovskaya and the Bolshoi Theater in the First Half of the 1930s Petr N. Gordeev

PDF PDF (Русский) 83-103

The Imposter by Jurgis Karnavicius: A Ballet-Fantasy on a Historical Plot Anton Vagero, Nina V. Pilipenko

PDF PDF (Русский) 104-128

Music at the Turn of the 20th-21st Centuries

The Structural Poetics of Nikolai Korndorf’s Piano Trio Yulia N. Panteleeva

PDF (Русский) 129-145