Contemporary Musicology

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Home > Archives > Vol 8, No 4 (2024)

DOI: https://doi.org/10.56620/2587-9731-2024-4

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Table of Contents

Early Music

Vasily Titov’s Two-choir Concertos in Light of Nikolai Diletsky’s Amplification Theory Natalia Yu. Plotnikova

PDF PDF (Русский) 10-39

History of Musical Theater

“Spanish Trace” in the Plot, Libretto, and Stage Performances of Beethoven’s Opera Fidelio Larisa V. Kirillina

PDF PDF (Русский) 40-63

Georges Bizet in the Service of the Opera: More than “Just” a Composer? Irina S. Zakharbekova

PDF PDF (Русский) 64-90

China in Soviet Opera: Sergei Vasilenko’s Son of the Sun and Its Stage Fate Yulia P. Medvedeva

PDF PDF (Русский) 91-111

Musical Theater: Librettistics, Scenography and Directing

Interpretive Restoration: Othmar Schoeck’s Das Schloß Dürande in a New Edition Yulia S. Veksler

PDF PDF (Русский) 112-134

From the History of Soviet Art Criticism

Panorama of 20th Century Opera: from the History of One Cycle of the Main Editorial Board of Music Broadcasting of the All-Union Radio Lyudmila V. Gavrilova

PDF PDF (Русский) 135-153