Vol 9, No 2 (2025)

Contemporary Musicology

DOI: https://doi.org/10.56620/2587-9731-2025-2

Full Issue

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Table of Contents

Technique of Musical Composition

Il modo di fare le fughe: On the Neapolitan Fugue Model in the 18th Century
Anastasia I. Maslova
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10-35

Early Music

Unknown Composer of the East Slavic Baroque Kaplinsky and His Easter Concert
Irina V. Gerasimova
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36-70

History of Music in Letters and Documents

German Letters of Alexander Serov 1858–1859 in the Manuscript Department of the St. Petersburg Conservatory (From the Composer’s Unpublished Legacy)
Anastasia S. Voitseshko, Zivar M. Guseinova
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71-105

Musical Theatre

Numerical Symbolism in the Musical Dramaturgy of The Queen of Spades by Pyotr Tchaikovsky
Vladimir V. Goryachikh
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106-133
Traditional Regional Features in Xiangtong Xi Musical Drama
Jianfu Li
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134-150

Classics of the 20th Century

The Oeuvre Inspired by Utopias: On the Centennial of Klaus Huber (1924―2017)
Levon Hakobian (Akopyan)
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151-186

Ethnomusicology

Pskov-Krivichi Ethnomusicological Borderlines of the Russian Northwest
Larisa M. Belogurova
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187-213
Wedding Songs of the Novgorod Region: To the Issue of the Tunes Territorial Distribution
Inga V. Korolkova
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214-241