Vol 9, No 1 (2025)

Contemporary Musicology

DOI: https://doi.org/10.56620/2587-9731-2025-1

Full Issue

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Table of Contents

Early Music

Passacaglia and Chaconne: Interpretation of Tempo in Theoretical Sources of the 18th Century
Alexei A. Panov, Ivan V. Rosanoff
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11-28
Duets in Viennese Singspiels by Carl Ditters von Dittersdorf and Opera Buffa
Svetlana B. Bubeeva
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29-53

Musical Meaning

Pyotr Tchaikovsky’s The Queen of Spades as a “Faustian” Plot: On the Problem of the Intertextual Content of the Opera
Natalia V. Korolevskaya
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54-78

Musical Theater: Source Study

La molinara in the Theatre of Stepan S. Apraksin (Based on the Note Manuscripts of the Apraksin & Golitsyn’s Collection in the Russian State Library)
Alexandra A. Safonova
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79-104
Camillo Everardi’s Pedagogical Repertoire at the Saint Petersburg Conservatory (1870–1888)
Alexandra B. Turintseva
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105-129
Opera and Revolution: The Bolshoi Theatre at the End of 1917
Petr N. Gordeev
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130-153

History of Musical Theater

Early Stage Works by Stanisław Moniuszko: History of Creation and Productions in Minsk and Vilnius
Olga V. Sobakina
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154-179

Contemporary Music

Contemporary Music as Reflected in Scholarly Texts: An Analysis of Russian Art History Journals
Yulia N. Panteleeva
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180-208