Contemporary Musicology

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Home > Archives > No 2 (2019)

Table of Contents

Early Music

At the Crossroads of Traditions: Austria and Russia in the Creative Destiny of V. Martin у Soler Irina A. Kryazheva

PDF (Русский) Abstract (Русский) 2-12

Musicology in Relation to Other Humanities

Topoi and Musical Narrative: D. Shostakovich. Prelude op.34 No.7 Tatiana V. Tsaregradskaya

PDF (Русский) Abstract (Русский) 13-28

Vienna Metamorphoses: From Waltz to L. Wittgenstein's Theory of Language Irina S. Stogniy

PDF (Русский) Abstract (Русский) 29-42

Musical Composition as Explained by the Author

The Ontology of the Work: Exploring the Creative Discourse Roger Redgate

PDF Abstract 43-59

Composer and the Literary Text of His Works

Musicology: Questions, Questions, etc. Natalia S. Gulyanitskaya

PDF (Русский) Abstract (Русский) 60-69

Scientific Projects

«The Composer’s Word and the Composer as Seen by Others»: the 18th Anniversary of the Musicology Project in the Gnessins Russian Academy of Music Yulia N. Panteleeva

PDF (Русский) Abstract (Русский) 70-89