Contemporary Musicology

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Home > Archives > No 4 (2018)

Table of Contents

Early Music

Anthems by Henry Purcell: biblical text and its musical implementation peculiarities Alexander S. Yevdokimov

PDF (Русский) 2-37

History of Musical Theater

«On censorial requests of the officials and “censorial desperations” of opera composers during the Czarist-era» Svetlana K. Laschenko

PDF (Русский) 38-60

Musical Theater: Source Study

Vasily Kalafati’s opera Tsygany (“The Gypsies”) after Alexander Pushkin Stanimira S. Dermendzhieva

PDF (Русский) 61-87

«Opera “The Gambler” in Prokofiev’s diary» Larisa L. Gerver

PDF (Русский) 88-100

The Performed and Unperformed Premieres of Dmitri Shostakovich’s Works at the Bolshoi Theater: from the Late 1920s to the Mid-1940s. Commentaries to the Musical Scores from the Archive of the Musical Library of the Bolshoi Theater of Russia Olesya A. Bobrik

PDF (Русский) 101-165

Music at the Turn of the 20th-21st Centuries

A. Batagov's "Selected Letters of Sergei Rachmaninoff": Toward the Problem of "Function-Author" in contemporary musical discourse Yulia N. Panteleeva

PDF (Русский) 166-194