No 1 (2018)

Современные проблемы музыкознания

Table of Contents

Music Theory

Why americans so love Schenker (and Riemann even more)
Philip Ewell
PDF (Русский)
2-32

Musical Theatre: Genres

Opera Parody In Russia The First Third Of The Twentieth Century And Cabaret: Vanishing Point
Natela I. Enukidze
PDF (Русский)
33-71

Musical Theater: Performance Issues

Tenor-trial and baritone-martin in M.Ravel’s music theatre
Irina S. Zakharbekova
PDF (Русский)
72-100

Musical Theater: Librettistics, Scenography and Directing

Handel’s Alcina libretto: lexic, structure and stage potential
Tatiana M. Belova
PDF (Русский)
101-122
About the metaphorical reenactment of history in Auber and Scribe's «Gustave III, ou le bal masqué»
Olga V. Zhestkova
PDF (Русский)
123-142