Contemporary Musicology

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Home > Archives > No 2 (2017)

Table of Contents

Early Music

Plurium Motetorum Mass by Claudin de Sermisy and Its Sources Margarita A. Grigorieva

PDF (Русский) 2-18

Reception of Luca Marenzio’s madrigals Darya A. Kovalevskaya

PDF (Русский) 19-40

About musical ideas of W.A. Mozart’s Sinfonia concertante in E-flat major in the context of «own» and «another’s» problem Dana A. Nagina

PDF (Русский) 41-61

Musical Theatre

Plots of Maurice Ravel’s ballets: sources and principles of formation Irina S. Zakharbekova

PDF (Русский) 62-75

Classics of the 20th Century

Tristan Topos in Alban Berg’s Music Yulia S. Veksler

PDF (Русский) 76-98

Music at the Turn of the 20th-21st Centuries

«Own» and «Another’s» in Creative Works by Nikolai Korndorf Evgeniya I. Chigareva

PDF (Русский) 99-110

Competitions of Scientific Works

Quotations and allusions in Francis Poulenc’s Piano Improvisations Arseny I. Ivanov

PDF (Русский) 111-125