Contemporary Musicology

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Home > Archives > No 1 (2017)

Table of Contents

Early Music

Parody magnificats by Orlando Lasso and Balduin Hoyoul Yuliya V. Moskvina

PDF (Русский) 2-14

The principal chorale in «Clavier-Übung III» by J.S. Bach Elena V. Viаskova

PDF (Русский) 14-28

Vasily Titov—Gerasim (Zavadovsky)—Kirill Zayushevich: Artistic Dialogue, Artistic Emulation Anna V. Bulycheva

PDF (Русский) 29-42

Musical Theatre

The operas by Ch.W. Gluck: on the parody and borrowing technic in the musical theatre of 18th century Irina P. Susidko

PDF (Русский) 43-67

Solo Numbers in Schubert’s Operas: Arias or Songs? Nina V. Pilipenko

PDF (Русский) 68-87

“The Blackamoor of Peter the Great”: the Introduction and a Short Guide to the Opera, Which has not received its Performance Olesya A. Bobrik

PDF (Русский) 88-116

Classics of the 20th Century

“Own” as “another’s”, “another’s” as “own”: Prokofiev’s self-quotations, quotations and compilations Svetlana A. Petukhova

PDF (Русский) 117-139