No 2 (2022)

Contemporary Musicology

DOI: https://doi.org/10.56620/2587-9731-2022-2

Full Issue

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Table of Contents

Technique of Musical Composition

On the Structure of the 16th Century Madrigals on Texts in Fixed Poetic Forms
Larisa L. Gerver
PDF (Русский)
4-47
С. Le Jeune's Dodecahorde: The Composer’s Approach to the Original Source
Grigory I. Lyzhov
PDF (Русский)
48-80
Trio texture in choral arrangements and polyclavier organ of Southern Germany in the first third of the 16th century
Fedosia W. Tabyisova
PDF (Русский)
81-106
Gregorian Chant in Organ Sonatas by J.-N. Lemmens
Elena A. Agapova-Strizhakova
PDF (Русский)
107-119
Rimsky-Korsakov: Principles of Orchestration and Three Operas on Historical Subjects
Maria V. Skuratovskaya
PDF (Русский)
120-141
Sometimes You Have “to Skip” a Stubborn “Measure”. On Some Aspects of Shostakovich’s Creative Process
Anton V. Lukyanov
PDF (Русский)
142-158
A Fugue as Art: Between Form and Metamorphoses
Maya I. Shinkareva
PDF (Русский)
159-171
The Art of Composing a Fugue for a Melodic Instrument
Andrey P. Goretsky
PDF (Русский)
172-186

Musical Theatre

Political Intrigues of the Court of Florence as a Prerequisite for Giulio Caccini’s Opera The Abduction of Cephalus
Alena D. Verin-Galitskaya
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187-206
The Leitmotif of Laughter in Sergei Prokofiev’s The Love for Three Oranges
Nailya V. Nasubulina
PDF (Русский)
207-217