| Issue | Title | |
| No 1 (2022): Contemporary Musicology | Bach’s “Fours” | Abstract PDF (Русский) |
| Kira I. Yuzhak | ||
| No 2 (2023): Contemporary Musicology | Ballet in the Theaters of the Radziwill Princes in the 18th Century | Abstract PDF (Русский) |
| Anastasia Yu. Patoshina | ||
| No 4 (2020): Contemporary Musicology | Beethoven’s Ninth Symphony: Russian Translations of Text Additions | Abstract PDF (Русский) Abstract (Русский) |
| Anna V. Bulycheva | ||
| No 1 (2020): Contemporary Musicology | Beethoven’s variations on paisiello’s duet. Paisiello indeed? Looks like Beethoven did not realise what he was actually writing | Abstract PDF (Русский) Abstract (Русский) |
| Alexander E. Maykapar | ||
| Vol 8, No 3 (2024): Contemporary Musicology | Between a Fairy Play and an Opera: Razryv-trava (Rip-grass) by Evgeny Goslavsky and Alexander Schaefer at the Maly Theater (1901) | Abstract PDF PDF (Русский) |
| Alexander V. Naumov | ||
| No 2 (2023): Contemporary Musicology | Can Journalism Be Danced? From the History of 19th Century British Ballet | Abstract PDF (Русский) |
| Yulia I. Agisheva | ||
| No 3 (2018): Contemporary Musicology | Characteristics of Genre in the «Russian Operas» by Martin-I-Soler | Abstract PDF (Русский) |
| Irina A. Kryazheva | ||
| No 3 (2017): Contemporary Musicology | Chorale arrangement: Historical Retrospective of Method and Genre | Abstract PDF (Русский) |
| Elena V. Sidorova | ||
| No 4 (2021): Contemporary Musicology | Chronotopic Metamorphoses in Béla Bartók’s Minor Seconds, Major Sevenths | Abstract PDF (Русский) |
| Olga A. Astakhova | ||
| No 4 (2023): Contemporary Musicology | City Noir by John Adams: a Way to Interpretation | Abstract PDF (Русский) |
| Tatiana V. Tsaregradskaya | ||
| No 2 (2021): Contemporary Musicology | Counterpoint Battles in the 18th Century Naples: an Attempt of Historical Reconstruction. | Abstract PDF (Русский) |
| Anastasia I. Maslova | ||
| No 2 (2020): Contemporary Musicology | Critical / convulsive — the Music of Roger Redgate / Translation from English, foreword and notes by A.A. Gundorina | Abstract PDF (Русский) Abstract (Русский) |
| Richard Barrett | ||
| No 4 (2017): Contemporary Musicology | "Disappointed Forest" and its predecessors: some observations on the history of ballet parody in Russia in the second half of the nineteenth and early XX-th centuries | Abstract PDF (Русский) |
| Natela I. Enukidze | ||
| Vol 8, No 2 (2024): Contemporary Musicology | Dmitri Shostakovich’s Early Works: An Insight into the Creative Process through the Prism of Variants of Musical Works | Abstract PDF PDF (Русский) |
| Anton V. Lukyanov | ||
| No 2 (2023): Contemporary Musicology | E.K. Malinovskaya and Ballet | Abstract PDF (Русский) |
| Petr N. Gordeev | ||
| No 4 (2020): Contemporary Musicology | Embraced by Music of Love: in Memoriam of J. B. Viotti | Abstract PDF (Русский) Abstract (Русский) |
| Polina B. Podmazova | ||
| No 4 (2020): Contemporary Musicology | F. J. Fetis and His Role in the Development of French Organ Playing School in the Second Half of the 19th Century | Abstract PDF (Русский) Abstract (Русский) |
| Elena A. Strizhakova | ||
| No 3 (2019): Contemporary Musicology | Foxtrot for orchestra «St. Thomas wake» by P.M. Davies: a prayer or a burlesque? | Abstract PDF (Русский) Abstract (Русский) |
| Yulia I. Agisheva | ||
| No 1 (2023): Contemporary Musicology | French Musicians of the 18th Century on the Interpretation of Compositions by Jean-Baptiste Lully | Abstract PDF (Русский) |
| Alexei A. Panov, Ivan V. Rosanoff | ||
| Vol 8, No 3 (2024): Contemporary Musicology | From the History of the Publication of the Opera The Woman with the Dagger: Vladimir Rebikov — Boris Jurgenson — Arthur Schnitzler | Abstract PDF PDF (Русский) |
| Elena M. Shabshaevich | ||
| No 3 (2018): Contemporary Musicology | From the «Soyuz Zodchih» of 1917 to the Union of Soviet architects | Abstract PDF (Русский) |
| Yulia D. Starostenko | ||
| No 1 (2022): Contemporary Musicology | Fugue for 13 Solo Strings by Witold Lutoslawski: Between the Author’s Commentary and Musicological Reflection | Abstract PDF (Русский) |
| Irina V. Koposova | ||
| No 1 (2021): Contemporary Musicology | Fugues for chorus and soloist ensemble in Joseph Haydn's late masses | Abstract PDF (Русский) |
| Larisa L. Gerver | ||
| No 1 (2023): Contemporary Musicology | Greece and France: Concerning the Question of Georges Aperghis’ National Identity | Abstract PDF (Русский) |
| Tatyana O. Yakovleva | ||
| No 2 (2022): Contemporary Musicology | Gregorian Chant in Organ Sonatas by J.-N. Lemmens | Abstract PDF (Русский) |
| Elena A. Agapova-Strizhakova | ||
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