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Issue Title
 
No 2 (2022): Contemporary Musicology On the Structure of the 16th Century Madrigals on Texts in Fixed Poetic Forms Abstract   PDF (Русский)   Abstract (Русский)
Larisa L. Gerver
 
No 1 (2018): Современные проблемы музыкознания Opera Parody In Russia The First Third Of The Twentieth Century And Cabaret: Vanishing Point Abstract   PDF (Русский)
Natela I. Enukidze
 
No 2 (2023): Contemporary Musicology Opera which Involves Dance, or Ballet which Involves Singing: Comédie Lyrique on the Stage of the Royal Academy of Music in Paris Abstract   PDF (Русский)
Alexandra A. Safonova
 
No 3 (2022): Contemporary Musicology Paris Conservatoire and Development of Violin Performance Abstract   PDF (Русский)   Abstract (Русский)
Polina B. Podmazova
 
No 1 (2017): Contemporary Musicology Parody magnificats by Orlando Lasso and Balduin Hoyoul Abstract   PDF (Русский)
Yuliya V. Moskvina
 
No 2 (2017): Contemporary Musicology Plots of Maurice Ravel’s ballets: sources and principles of formation Abstract   PDF (Русский)
Irina S. Zakharbekova
 
No 2 (2017): Contemporary Musicology Plurium Motetorum Mass by Claudin de Sermisy and Its Sources Abstract   PDF (Русский)
Margarita A. Grigorieva
 
No 4 (2021): Contemporary Musicology Poetic Intonation in the Poems by Alexander Blok and Sergei Yesenin: More on the Methodology of Analysis Abstract   PDF (Русский)   Abstract (Русский)
Julia M. Oparina
 
No 2 (2022): Contemporary Musicology Political Intrigues of the Court of Florence as a Prerequisite for Giulio Caccini’s Opera The Abduction of Cephalus Abstract   PDF (Русский)   Abstract (Русский)
Alena D. Verin-Galitskaya
 
No 3 (2020): Contemporary Musicology Prokofiev’s ballet the tale of the stone flower: idea, creation, premiere Abstract   PDF (Русский)   Abstract (Русский)
Svetlana A. Petukhova
 
No 2 (2017): Contemporary Musicology Quotations and allusions in Francis Poulenc’s Piano Improvisations Abstract   PDF (Русский)
Arseny I. Ivanov
 
No 3 (2019): Contemporary Musicology Ravel the arranger: transcriptions of piano and orchestra music Abstract   PDF (Русский)   Abstract (Русский)
Irina S. Zakharbekova
 
No 2 (2017): Contemporary Musicology Reception of Luca Marenzio’s madrigals Abstract   PDF (Русский)
Darya A. Kovalevskaya
 
No 3 (2021): Contemporary Musicology Research in the Gnessins Russian Academy of Music: Priority 2030 Program. Interview with A.S. Ryzhinsky and T.I. Naumenko Abstract   PDF (Русский)   Abstract (Русский)
Alexander S. Ryzhinsky, Tatiana I. Naumenko, Dana A. Nagina
 
No 2 (2022): Contemporary Musicology Rimsky-Korsakov: Principles of Orchestration and Three Operas on Historical Subjects Abstract   PDF (Русский)   Abstract (Русский)
Maria V. Skuratovskaya
 
No 1 (2019): Contemporary Musicology Russian musician Johann Leopold Fuchs (1783-1853): the view of a modern researcher Abstract   PDF (Русский)   Abstract (Русский)
Inga A. Presnyakova
 
No 3 (2017): Contemporary Musicology Secrets of Josquin Desprez's Motet «Ut phoebi radiis» Abstract   PDF (Русский)
Lyudmila I. Sundukova, Nikolai I. Tarasevich
 
No 3 (2022): Contemporary Musicology Sequenza IV in Luciano Berio’s Piano Work Abstract   PDF (Русский)   Abstract (Русский)
Olga V. Sobakina
 
No 3 (2020): Contemporary Musicology Sergei Prokofiev: Unfulfilled Ideas of the 1920s Abstract   PDF (Русский)   Abstract (Русский)
Elena G. Poldiaeva
 
Vol 8, No 1 (2024): Contemporary Musicology Small-Scale Opera Genres in Vienna before and after Christoph Willibald Gluck’s Orfeo ed Euridice: Adaptation and Polemics Abstract   PDF   PDF (Русский)
Irina P. Susidko
 
No 1 (2017): Contemporary Musicology Solo Numbers in Schubert’s Operas: Arias or Songs? Abstract   PDF (Русский)
Nina V. Pilipenko
 
No 1 (2022): Contemporary Musicology Some Thoughts on BWV 769 and 769a Canons Abstract   PDF (Русский)   Abstract (Русский)
Anatoly P. Milka
 
No 2 (2022): Contemporary Musicology Sometimes You Have “to Skip” a Stubborn “Measure”. On Some Aspects of Shostakovich’s Creative Process Abstract   PDF (Русский)   Abstract (Русский)
Anton V. Lukyanov
 
No 3 (2021): Contemporary Musicology "...Support is everywhere". An interview with Irina P. Susidko Abstract   PDF (Русский)   Abstract (Русский)
Irina P. Susidko, Dana A. Nagina
 
No 1 (2018): Современные проблемы музыкознания Tenor-trial and baritone-martin in M.Ravel’s music theatre Abstract   PDF (Русский)
Irina S. Zakharbekova
 
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