| Issue | Title | |
| No 4 (2021): Contemporary Musicology | Immanuel Kant on Music: Paradoxes of Aesthetic Rationalism | Abstract PDF (Русский) Abstract (Русский) |
| Tatyana P. Razbeglova | ||
| No 4 (2022): Contemporary Musicology | International Сonference Ballet in Musical Theatre: History and Present Time. An Interview with the Conference Curator Irina P. Susidko | Abstract PDF (Русский) Abstract (Русский) |
| Veronica S. Kalistratova, Irina P. Susidko | ||
| No 3 (2017): Contemporary Musicology | Intertextuality in Music. Variations on the Topic | Abstract PDF (Русский) |
| Irina S. Stogniy | ||
| No 3 (2019): Contemporary Musicology | Intonation models N.A. Rimsky-Korsakov in the music of S.V. Rachmaninov | Abstract PDF (Русский) Abstract (Русский) |
| Vera B. Val’kova | ||
| No 3 (2019): Contemporary Musicology | Italian opera in Stalin’s Soviet Union | Abstract PDF PDF |
| Kiril Tomof | ||
| No 1 (2021): Contemporary Musicology | J.M. Hauer: the phenomenon of Zwölftonspiel | Abstract PDF (Русский) Abstract (Русский) |
| Yulia S. Veksler | ||
| No 1 (2022): Contemporary Musicology | J.S. Bach’s Canons BWV 1087: More on Musical Emblematics | Abstract PDF (Русский) Abstract (Русский) |
| Alla I. Yankus | ||
| No 4 (2021): Contemporary Musicology | J.S. Bach’s Cantata No. 150: Compositional Features and an Interpretation of the Literary text | Abstract PDF (Русский) Abstract (Русский) |
| Irina S. Stogniy | ||
| Vol 8, No 1 (2024): Contemporary Musicology | Lermontov’s Texts in Tchaikovsky’s Oeuvre | Abstract PDF (Русский) |
| Zivar M. Guseinova | ||
| No 1 (2020): Contemporary Musicology | Masterpieces made to order: Beethoven’s late string quartets | Abstract PDF (Русский) Abstract (Русский) |
| Elena V. Sidorova | ||
| No 1 (2022): Contemporary Musicology | Maxim Berezovsky’s Concerto Do Not Reject Me In My Old Age: A Perspective From Johann Joseph Fux’ School of Fugue | Abstract PDF (Русский) Abstract (Русский) |
| Kirill V. Diskin | ||
| No 3 (2020): Contemporary Musicology | Mikhail Glinka and his Russian disciples in Europe: contextual analysis of a forgotten history | Abstract PDF (Русский) Abstract (Русский) |
| Svetlana K. Laschenko | ||
| No 2 (2023): Contemporary Musicology | Modern/ Postmodern. Translation from French, foreword and notes by Yu.N. Panteleeva | Abstract PDF (Русский) |
| Yulia N. Panteleeva | ||
| No 1 (2019): Contemporary Musicology | Music in the service of the Habsburgs: Austrian oratorio genres of the 17th - 18th centuries at the intersection of spiritual and court culture | Abstract PDF (Русский) Abstract (Русский) |
| Lada Y. Aristarkhova | ||
| No 3 (2021): Contemporary Musicology | Music is an architecture revived: a gothic cathedral as a model for a perfect musical composition as seen by Vincent D'indy | Abstract PDF (Русский) Abstract (Русский) |
| Elena V. Rovenko | ||
| No 4 (2019): Contemporary Musicology | Music Theory à la Leningrad: an Interview with Tatiana Bershadskaya | Abstract PDF Abstract |
| Philip Ewell | ||
| No 3 (2022): Contemporary Musicology | Musical, Artistic, and Teaching Approaches of M.I. Fikhtengolts and V.O. Rabey: Relevance for Today’s Art of Violin Playing | Abstract PDF (Русский) Abstract (Русский) |
| Tatyana N. Kazanskaya | ||
| No 1 (2022): Contemporary Musicology | Musical Interpretations of Amor, Se Vuo’ Ch’i’torni Al Giogo Anticho by Petrarch in Canzones by Bartolomeo Tromboncino, Bernardo Pisano and Sebastiano Festa | Abstract PDF (Русский) Abstract (Русский) |
| Elena V. Pankina | ||
| No 2 (2019): Contemporary Musicology | Musicology: Questions, Questions, etc. | Abstract PDF (Русский) Abstract (Русский) |
| Natalia S. Gulyanitskaya | ||
| No 1 (2023): Contemporary Musicology | My Academic Advisor Natalia Sergeevna Gulyanitskaya | Abstract PDF (Русский) Abstract (Русский) |
| Vitaly V. Aleev | ||
| No 2 (2020): Contemporary Musicology | New Music in Post-1918 Austria and Germany: From Revolt to Consolidation | Abstract PDF (Русский) Abstract (Русский) |
| Yulia S. Veksler | ||
| No 3 (2017): Contemporary Musicology | On Nikolai Korndorf’s Music: in Space of Intertextuality | Abstract PDF (Русский) |
| Yulia N. Panteleeva | ||
| No 1 (2023): Contemporary Musicology | On N.S. Gulyanitskaya’s Scientific Creation | Abstract PDF (Русский) Abstract (Русский) |
| Yulia N. Panteleeva | ||
| No 4 (2023): Contemporary Musicology | On the Narrative and Architectonics Applied to Daniil Kharms’ Prose | Abstract PDF (Русский) |
| Larisa L. Gerver | ||
| No 3 (2023): Contemporary Musicology | On the Role of the ‘Passionate’ Rhythms of French Poetry of the 17th and Early 18th Centuries in the Genres of the chanson à danser and the danse chantée | Abstract PDF (Русский) |
| Larisa D. Pylaeva | ||
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