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Issue |
Title |
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No 3 (2018): Contemporary Musicology |
From the «Soyuz Zodchih» of 1917 to the Union of Soviet architects |
Abstract
PDF (Русский)
|
Yulia D. Starostenko |
|
No 1 (2022): Contemporary Musicology |
Fugue for 13 Solo Strings by Witold Lutoslawski: Between the Author’s Commentary and Musicological Reflection |
Abstract
PDF (Русский)
|
Irina V. Koposova |
|
No 1 (2021): Contemporary Musicology |
Fugues for chorus and soloist ensemble in Joseph Haydn's late masses |
Abstract
PDF (Русский)
|
Larisa L. Gerver |
|
Vol 8, No 4 (2024): Contemporary Musicology |
Georges Bizet in the Service of the Opera: More than “Just” a Composer? |
Abstract
PDF
PDF (Русский)
|
Irina S. Zakharbekova |
|
Vol 9, No 2 (2025): Contemporary Musicology |
German Letters of Alexander Serov 1858–1859 in the Manuscript Department of the St. Petersburg Conservatory (From the Composer’s Unpublished Legacy) |
Abstract
PDF (Русский)
PDF
|
Anastasia S. Voitseshko, Zivar M. Guseinova |
|
No 1 (2023): Contemporary Musicology |
Greece and France: Concerning the Question of Georges Aperghis’ National Identity |
Abstract
PDF (Русский)
|
Tatyana O. Yakovleva |
|
No 2 (2022): Contemporary Musicology |
Gregorian Chant in Organ Sonatas by J.-N. Lemmens |
Abstract
PDF (Русский)
|
Elena A. Agapova-Strizhakova |
|
No 1 (2018): Современные проблемы музыкознания |
Handel’s Alcina libretto: lexic, structure and stage potential |
Abstract
PDF (Русский)
|
Tatiana M. Belova |
|
No 1 (2021): Contemporary Musicology |
Hans Rott: Gustav Mahler's contemporary |
Abstract
PDF (Русский)
|
Natalia I. Degtyareva |
|
No 2 (2021): Contemporary Musicology |
Haydn, Mozart and Pleyel: Rivalry And Interinfluences |
Abstract
PDF (Русский)
|
Dana A. Nagina |
|
Vol 9, No 2 (2025): Contemporary Musicology |
Il modo di fare le fughe: On the Neapolitan Fugue Model in the 18th Century |
Abstract
PDF (Русский)
PDF
|
Anastasia I. Maslova |
|
No 2 (2018): Contemporary Musicology |
Images of musical theater in english painting of the XVIII century |
Abstract
PDF (Русский)
|
Yulia I. Agisheva |
|
No 4 (2021): Contemporary Musicology |
Immanuel Kant on Music: Paradoxes of Aesthetic Rationalism |
Abstract
PDF (Русский)
|
Tatyana P. Razbeglova |
|
No 4 (2022): Contemporary Musicology |
International Сonference Ballet in Musical Theatre: History and Present Time. An Interview with the Conference Curator Irina P. Susidko |
Abstract
PDF (Русский)
|
Veronica S. Kalistratova, Irina P. Susidko |
|
Vol 8, No 4 (2024): Contemporary Musicology |
Interpretive Restoration: Othmar Schoeck’s Das Schloß Dürande in a New Edition |
Abstract
PDF
PDF (Русский)
|
Yulia S. Veksler |
|
No 3 (2017): Contemporary Musicology |
Intertextuality in Music. Variations on the Topic |
Abstract
PDF (Русский)
|
Irina S. Stogniy |
|
No 3 (2019): Contemporary Musicology |
Intonation models N.A. Rimsky-Korsakov in the music of S.V. Rachmaninov |
Abstract
PDF (Русский)
Abstract (Русский)
|
Vera B. Val’kova |
|
Vol 8, No 2 (2024): Contemporary Musicology |
Introduction to New Book on Stravinsky |
Abstract
PDF
PDF (Русский)
|
Valery V. Glivinsky |
|
No 3 (2019): Contemporary Musicology |
Italian opera in Stalin’s Soviet Union |
Abstract
PDF
PDF
|
Kiril Tomof |
|
No 1 (2021): Contemporary Musicology |
J.M. Hauer: the phenomenon of Zwölftonspiel |
Abstract
PDF (Русский)
|
Yulia S. Veksler |
|
No 1 (2022): Contemporary Musicology |
J.S. Bach’s Canons BWV 1087: More on Musical Emblematics |
Abstract
PDF (Русский)
|
Alla I. Yankus |
|
No 4 (2021): Contemporary Musicology |
J.S. Bach’s Cantata No. 150: Compositional Features and an Interpretation of the Literary text |
Abstract
PDF (Русский)
|
Irina S. Stogniy |
|
Vol 9, No 1 (2025): Contemporary Musicology |
La molinara in the Theatre of Stepan S. Apraksin (Based on the Note Manuscripts of the Apraksin & Golitsyn’s Collection in the Russian State Library) |
Abstract
PDF (Русский)
PDF
|
Alexandra A. Safonova |
|
Vol 8, No 1 (2024): Contemporary Musicology |
Lermontov’s Texts in Tchaikovsky’s Oeuvre |
Abstract
PDF (Русский)
|
Zivar M. Guseinova |
|
No 1 (2020): Contemporary Musicology |
Masterpieces made to order: Beethoven’s late string quartets |
Abstract
PDF (Русский)
Abstract (Русский)
|
Elena V. Sidorova |
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