Browse Title Index

Issue Title
No 4 (2021): Contemporary Musicology Immanuel Kant on Music: Paradoxes of Aesthetic Rationalism Abstract   PDF (Русский)   Abstract (Русский)
Tatyana P. Razbeglova
No 4 (2022): Contemporary Musicology International Сonference Ballet in Musical Theatre: History and Present Time. An Interview with the Conference Curator Irina P. Susidko Abstract   PDF (Русский)   Abstract (Русский)
Veronica S. Kalistratova, Irina P. Susidko
No 3 (2017): Contemporary Musicology Intertextuality in Music. Variations on the Topic Abstract   PDF (Русский)
Irina S. Stogniy
No 3 (2019): Contemporary Musicology Intonation models N.A. Rimsky-Korsakov in the music of S.V. Rachmaninov Abstract   PDF (Русский)   Abstract (Русский)
Vera B. Val’kova
No 3 (2019): Contemporary Musicology Italian opera in Stalin’s Soviet Union Abstract   PDF   PDF
Kiril Tomof
No 1 (2021): Contemporary Musicology J.M. Hauer: the phenomenon of Zwölftonspiel Abstract   PDF (Русский)   Abstract (Русский)
Yulia S. Veksler
No 1 (2022): Contemporary Musicology J.S. Bach’s Canons BWV 1087: More on Musical Emblematics Abstract   PDF (Русский)   Abstract (Русский)
Alla I. Yankus
No 4 (2021): Contemporary Musicology J.S. Bach’s Cantata No. 150: Compositional Features and an Interpretation of the Literary text Abstract   PDF (Русский)   Abstract (Русский)
Irina S. Stogniy
Vol 8, No 1 (2024): Contemporary Musicology Lermontov’s Texts in Tchaikovsky’s Oeuvre Abstract   PDF (Русский)
Zivar M. Guseinova
No 1 (2020): Contemporary Musicology Masterpieces made to order: Beethoven’s late string quartets Abstract   PDF (Русский)   Abstract (Русский)
Elena V. Sidorova
No 1 (2022): Contemporary Musicology Maxim Berezovsky’s Concerto Do Not Reject Me In My Old Age: A Perspective From Johann Joseph Fux’ School of Fugue Abstract   PDF (Русский)   Abstract (Русский)
Kirill V. Diskin
No 3 (2020): Contemporary Musicology Mikhail Glinka and his Russian disciples in Europe: contextual analysis of a forgotten history Abstract   PDF (Русский)   Abstract (Русский)
Svetlana K. Laschenko
No 2 (2023): Contemporary Musicology Modern/ Postmodern. Translation from French, foreword and notes by Yu.N. Panteleeva Abstract   PDF (Русский)
Yulia N. Panteleeva
No 1 (2019): Contemporary Musicology Music in the service of the Habsburgs: Austrian oratorio genres of the 17th - 18th centuries at the intersection of spiritual and court culture Abstract   PDF (Русский)   Abstract (Русский)
Lada Y. Aristarkhova
No 3 (2021): Contemporary Musicology Music is an architecture revived: a gothic cathedral as a model for a perfect musical composition as seen by Vincent D'indy Abstract   PDF (Русский)   Abstract (Русский)
Elena V. Rovenko
No 4 (2019): Contemporary Musicology Music Theory à la Leningrad: an Interview with Tatiana Bershadskaya Abstract   PDF   Abstract
Philip Ewell
No 3 (2022): Contemporary Musicology Musical, Artistic, and Teaching Approaches of M.I. Fikhtengolts and V.O. Rabey: Relevance for Today’s Art of Violin Playing Abstract   PDF (Русский)   Abstract (Русский)
Tatyana N. Kazanskaya
No 1 (2022): Contemporary Musicology Musical Interpretations of Amor, Se Vuo’ Ch’i’torni Al Giogo Anticho by Petrarch in Canzones by Bartolomeo Tromboncino, Bernardo Pisano and Sebastiano Festa Abstract   PDF (Русский)   Abstract (Русский)
Elena V. Pankina
No 2 (2019): Contemporary Musicology Musicology: Questions, Questions, etc. Abstract   PDF (Русский)   Abstract (Русский)
Natalia S. Gulyanitskaya
No 1 (2023): Contemporary Musicology My Academic Advisor Natalia Sergeevna Gulyanitskaya Abstract   PDF (Русский)   Abstract (Русский)
Vitaly V. Aleev
No 2 (2020): Contemporary Musicology New Music in Post-1918 Austria and Germany: From Revolt to Consolidation Abstract   PDF (Русский)   Abstract (Русский)
Yulia S. Veksler
No 3 (2017): Contemporary Musicology On Nikolai Korndorf’s Music: in Space of Intertextuality Abstract   PDF (Русский)
Yulia N. Panteleeva
No 1 (2023): Contemporary Musicology On N.S. Gulyanitskaya’s Scientific Creation Abstract   PDF (Русский)   Abstract (Русский)
Yulia N. Panteleeva
No 4 (2023): Contemporary Musicology On the Narrative and Architectonics Applied to Daniil Kharms’ Prose Abstract   PDF (Русский)
Larisa L. Gerver
No 3 (2023): Contemporary Musicology On the Role of the ‘Passionate’ Rhythms of French Poetry of the 17th and Early 18th Centuries in the Genres of the chanson à danser and the danse chantée Abstract   PDF (Русский)
Larisa D. Pylaeva
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