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Issue Title
 
No 3 (2018): Contemporary Musicology From the «Soyuz Zodchih» of 1917 to the Union of Soviet architects Abstract   PDF (Русский)
Yulia D. Starostenko
 
No 1 (2022): Contemporary Musicology Fugue for 13 Solo Strings by Witold Lutoslawski: Between the Author’s Commentary and Musicological Reflection Abstract   PDF (Русский)
Irina V. Koposova
 
No 1 (2021): Contemporary Musicology Fugues for chorus and soloist ensemble in Joseph Haydn's late masses Abstract   PDF (Русский)
Larisa L. Gerver
 
Vol 8, No 4 (2024): Contemporary Musicology Georges Bizet in the Service of the Opera: More than “Just” a Composer? Abstract   PDF   PDF (Русский)
Irina S. Zakharbekova
 
Vol 9, No 2 (2025): Contemporary Musicology German Letters of Alexander Serov 1858–1859 in the Manuscript Department of the St. Petersburg Conservatory (From the Composer’s Unpublished Legacy) Abstract   PDF (Русский)   PDF
Anastasia S. Voitseshko, Zivar M. Guseinova
 
No 1 (2023): Contemporary Musicology Greece and France: Concerning the Question of Georges Aperghis’ National Identity Abstract   PDF (Русский)
Tatyana O. Yakovleva
 
No 2 (2022): Contemporary Musicology Gregorian Chant in Organ Sonatas by J.-N. Lemmens Abstract   PDF (Русский)
Elena A. Agapova-Strizhakova
 
No 1 (2018): Современные проблемы музыкознания Handel’s Alcina libretto: lexic, structure and stage potential Abstract   PDF (Русский)
Tatiana M. Belova
 
No 1 (2021): Contemporary Musicology Hans Rott: Gustav Mahler's contemporary Abstract   PDF (Русский)
Natalia I. Degtyareva
 
No 2 (2021): Contemporary Musicology Haydn, Mozart and Pleyel: Rivalry And Interinfluences Abstract   PDF (Русский)
Dana A. Nagina
 
Vol 9, No 2 (2025): Contemporary Musicology Il modo di fare le fughe: On the Neapolitan Fugue Model in the 18th Century Abstract   PDF (Русский)   PDF
Anastasia I. Maslova
 
No 2 (2018): Contemporary Musicology Images of musical theater in english painting of the XVIII century Abstract   PDF (Русский)
Yulia I. Agisheva
 
No 4 (2021): Contemporary Musicology Immanuel Kant on Music: Paradoxes of Aesthetic Rationalism Abstract   PDF (Русский)
Tatyana P. Razbeglova
 
No 4 (2022): Contemporary Musicology International Сonference Ballet in Musical Theatre: History and Present Time. An Interview with the Conference Curator Irina P. Susidko Abstract   PDF (Русский)
Veronica S. Kalistratova, Irina P. Susidko
 
Vol 8, No 4 (2024): Contemporary Musicology Interpretive Restoration: Othmar Schoeck’s Das Schloß Dürande in a New Edition Abstract   PDF   PDF (Русский)
Yulia S. Veksler
 
No 3 (2017): Contemporary Musicology Intertextuality in Music. Variations on the Topic Abstract   PDF (Русский)
Irina S. Stogniy
 
No 3 (2019): Contemporary Musicology Intonation models N.A. Rimsky-Korsakov in the music of S.V. Rachmaninov Abstract   PDF (Русский)   Abstract (Русский)
Vera B. Val’kova
 
Vol 8, No 2 (2024): Contemporary Musicology Introduction to New Book on Stravinsky Abstract   PDF   PDF (Русский)
Valery V. Glivinsky
 
No 3 (2019): Contemporary Musicology Italian opera in Stalin’s Soviet Union Abstract   PDF   PDF
Kiril Tomof
 
No 1 (2021): Contemporary Musicology J.M. Hauer: the phenomenon of Zwölftonspiel Abstract   PDF (Русский)
Yulia S. Veksler
 
No 1 (2022): Contemporary Musicology J.S. Bach’s Canons BWV 1087: More on Musical Emblematics Abstract   PDF (Русский)
Alla I. Yankus
 
No 4 (2021): Contemporary Musicology J.S. Bach’s Cantata No. 150: Compositional Features and an Interpretation of the Literary text Abstract   PDF (Русский)
Irina S. Stogniy
 
Vol 9, No 1 (2025): Contemporary Musicology La molinara in the Theatre of Stepan S. Apraksin (Based on the Note Manuscripts of the Apraksin & Golitsyn’s Collection in the Russian State Library) Abstract   PDF (Русский)   PDF
Alexandra A. Safonova
 
Vol 8, No 1 (2024): Contemporary Musicology Lermontov’s Texts in Tchaikovsky’s Oeuvre Abstract   PDF (Русский)
Zivar M. Guseinova
 
No 1 (2020): Contemporary Musicology Masterpieces made to order: Beethoven’s late string quartets Abstract   PDF (Русский)   Abstract (Русский)
Elena V. Sidorova
 
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