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Issue |
Title |
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No 1 (2018): Современные проблемы музыкознания |
Handel’s Alcina libretto: lexic, structure and stage potential |
Abstract
PDF (Русский)
|
Tatiana M. Belova |
|
No 1 (2021): Contemporary Musicology |
Hans Rott: Gustav Mahler's contemporary |
Abstract
PDF (Русский)
|
Natalia I. Degtyareva |
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No 2 (2021): Contemporary Musicology |
Haydn, Mozart and Pleyel: Rivalry And Interinfluences |
Abstract
PDF (Русский)
|
Dana A. Nagina |
|
No 2 (2018): Contemporary Musicology |
Images of musical theater in english painting of the XVIII century |
Abstract
PDF (Русский)
|
Yulia I. Agisheva |
|
No 4 (2021): Contemporary Musicology |
Immanuel Kant on Music: Paradoxes of Aesthetic Rationalism |
Abstract
PDF (Русский)
|
Tatyana P. Razbeglova |
|
No 4 (2022): Contemporary Musicology |
International Сonference Ballet in Musical Theatre: History and Present Time. An Interview with the Conference Curator Irina P. Susidko |
Abstract
PDF (Русский)
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Veronica S. Kalistratova, Irina P. Susidko |
|
No 3 (2017): Contemporary Musicology |
Intertextuality in Music. Variations on the Topic |
Abstract
PDF (Русский)
|
Irina S. Stogniy |
|
No 3 (2019): Contemporary Musicology |
Intonation models N.A. Rimsky-Korsakov in the music of S.V. Rachmaninov |
Abstract
PDF (Русский)
Abstract (Русский)
|
Vera B. Val’kova |
|
Vol 8, No 2 (2024): Contemporary Musicology |
Introduction to New Book on Stravinsky |
Abstract
PDF
PDF (Русский)
|
Valery V. Glivinsky |
|
No 3 (2019): Contemporary Musicology |
Italian opera in Stalin’s Soviet Union |
Abstract
PDF
PDF
|
Kiril Tomof |
|
No 1 (2021): Contemporary Musicology |
J.M. Hauer: the phenomenon of Zwölftonspiel |
Abstract
PDF (Русский)
|
Yulia S. Veksler |
|
No 1 (2022): Contemporary Musicology |
J.S. Bach’s Canons BWV 1087: More on Musical Emblematics |
Abstract
PDF (Русский)
|
Alla I. Yankus |
|
No 4 (2021): Contemporary Musicology |
J.S. Bach’s Cantata No. 150: Compositional Features and an Interpretation of the Literary text |
Abstract
PDF (Русский)
|
Irina S. Stogniy |
|
Vol 8, No 1 (2024): Contemporary Musicology |
Lermontov’s Texts in Tchaikovsky’s Oeuvre |
Abstract
PDF (Русский)
|
Zivar M. Guseinova |
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No 1 (2020): Contemporary Musicology |
Masterpieces made to order: Beethoven’s late string quartets |
Abstract
PDF (Русский)
Abstract (Русский)
|
Elena V. Sidorova |
|
No 1 (2022): Contemporary Musicology |
Maxim Berezovsky’s Concerto Do Not Reject Me In My Old Age: A Perspective From Johann Joseph Fux’ School of Fugue |
Abstract
PDF (Русский)
|
Kirill V. Diskin |
|
No 3 (2020): Contemporary Musicology |
Mikhail Glinka and his Russian disciples in Europe: contextual analysis of a forgotten history |
Abstract
PDF (Русский)
Abstract (Русский)
|
Svetlana K. Laschenko |
|
No 2 (2023): Contemporary Musicology |
Modern/ Postmodern. Translation from French, foreword and notes by Yu.N. Panteleeva |
Abstract
PDF (Русский)
|
Yulia N. Panteleeva |
|
No 1 (2019): Contemporary Musicology |
Music in the service of the Habsburgs: Austrian oratorio genres of the 17th - 18th centuries at the intersection of spiritual and court culture |
Abstract
PDF (Русский)
Abstract (Русский)
|
Lada Y. Aristarkhova |
|
No 3 (2021): Contemporary Musicology |
Music is an architecture revived: a gothic cathedral as a model for a perfect musical composition as seen by Vincent D'indy |
Abstract
PDF (Русский)
|
Elena V. Rovenko |
|
No 4 (2019): Contemporary Musicology |
Music Theory à la Leningrad: an Interview with Tatiana Bershadskaya |
Abstract
PDF
Abstract
|
Philip Ewell |
|
No 3 (2022): Contemporary Musicology |
Musical, Artistic, and Teaching Approaches of M.I. Fikhtengolts and V.O. Rabey: Relevance for Today’s Art of Violin Playing |
Abstract
PDF (Русский)
|
Tatyana N. Kazanskaya |
|
No 1 (2022): Contemporary Musicology |
Musical Interpretations of Amor, Se Vuo’ Ch’i’torni Al Giogo Anticho by Petrarch in Canzones by Bartolomeo Tromboncino, Bernardo Pisano and Sebastiano Festa |
Abstract
PDF (Русский)
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Elena V. Pankina |
|
No 2 (2019): Contemporary Musicology |
Musicology: Questions, Questions, etc. |
Abstract
PDF (Русский)
Abstract (Русский)
|
Natalia S. Gulyanitskaya |
|
No 1 (2023): Contemporary Musicology |
My Academic Advisor Natalia Sergeevna Gulyanitskaya |
Abstract
PDF (Русский)
|
Vitaly V. Aleev |
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