| Issue | Title | |
| No 4 (2018): Contemporary Musicology | «On censorial requests of the officials and “censorial desperations” of opera composers during the Czarist-era» | Abstract PDF (Русский) |
| Svetlana K. Laschenko | ||
| No 4 (2018): Contemporary Musicology | «Opera “The Gambler” in Prokofiev’s diary» | Abstract PDF (Русский) |
| Larisa L. Gerver | ||
| No 2 (2017): Contemporary Musicology | «Own» and «Another’s» in Creative Works by Nikolai Korndorf | Abstract PDF (Русский) |
| Evgeniya I. Chigareva | ||
| No 4 (2019): Contemporary Musicology | «Préludes» by Claude Debussy — the Idea of the Work as a Cycle | Abstract PDF Abstract |
| Tijana P. Mladjenović, Ivana P. Lozo | ||
| No 2 (2019): Contemporary Musicology | «The Composer’s Word and the Composer as Seen by Others»: the 18th Anniversary of the Musicology Project in the Gnessins Russian Academy of Music | Abstract PDF (Русский) Abstract (Русский) |
| Yulia N. Panteleeva | ||
| No 2 (2022): Contemporary Musicology | С. Le Jeune's Dodecahorde: The Composer’s Approach to the Original Source | Abstract PDF (Русский) |
| Grigory I. Lyzhov | ||
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