| Issue | Title | |
| No 3 (2021): Contemporary Musicology | Variations on an old Russuan chant: nostalgia for Imperial Russia in the Vladimir Dukelsky's oeuvre | Abstract PDF (Русский) |
| Antonina S. Maksimova | ||
| No 4 (2018): Contemporary Musicology | Vasily Kalafati’s opera Tsygany (“The Gypsies”) after Alexander Pushkin | Abstract PDF (Русский) |
| Stanimira S. Dermendzhieva | ||
| No 1 (2017): Contemporary Musicology | Vasily Titov—Gerasim (Zavadovsky)—Kirill Zayushevich: Artistic Dialogue, Artistic Emulation | Abstract PDF (Русский) |
| Anna V. Bulycheva | ||
| Vol 8, No 4 (2024): Contemporary Musicology | Vasily Titov’s Two-choir Concertos in Light of Nikolai Diletsky’s Amplification Theory | Abstract PDF PDF (Русский) |
| Natalia Yu. Plotnikova | ||
| No 2 (2019): Contemporary Musicology | Vienna Metamorphoses: From Waltz to L. Wittgenstein's Theory of Language | Abstract PDF (Русский) Abstract (Русский) |
| Irina S. Stogniy | ||
| No 4 (2020): Contemporary Musicology | Vladimir Dukelsky. In Defence of Forgotten Music | Abstract PDF (Русский) Abstract (Русский) |
| Antonina S. Maksimova | ||
| No 3 (2017): Contemporary Musicology | Vladimir Martinov’s Structural Archeology: Archetypes and Intertexts. | Abstract PDF (Русский) |
| Margarita I. Katunyan | ||
| Vol 9, No 4 (2025): Contemporary Musicology | Vladimir Tarnopolsky’s ...Le vent des mots...: Towards a Poetics of Elusive Sensation | Abstract PDF (Русский) PDF |
| Marianna S. Vysotskaya | ||
| Vol 8, No 3 (2024): Contemporary Musicology | Vocal Ornamentation in Caccini: From Theory to Practice | Abstract PDF PDF (Русский) |
| Elena V. Kruglova | ||
| No 2 (2021): Contemporary Musicology | War and Peace: Biographical Milestones | Abstract PDF (Русский) |
| Svetlana A. Petukhova | ||
| Vol 9, No 2 (2025): Contemporary Musicology | Wedding Songs of the Novgorod Region: To the Issue of the Tunes Territorial Distribution | Abstract PDF (Русский) PDF |
| Inga V. Korolkova | ||
| No 4 (2022): Contemporary Musicology | Western Slavic Motifs in the Works of Russian Composers of the Second Half of the 19th Century | Abstract PDF (Русский) |
| Elizaveta A. Shavyrina | ||
| No 1 (2018): Современные проблемы музыкознания | Why americans so love Schenker (and Riemann even more) | Abstract PDF (Русский) |
| Philip Ewell | ||
| No 2 (2021): Contemporary Musicology | Wilhelm Friedemann Bach’s Clavier Fantasies: A Creative Dialogue with the Father. | Abstract PDF (Русский) |
| Arseny I. Ivanov | ||
| No 4 (2017): Contemporary Musicology | Working on the Soviet Opera after 1936 | Abstract PDF (Русский) |
| Tatiana I. Naumenko | ||
| No 2 (2020): Contemporary Musicology | “Chinese Style” in Music at the Turn of the 19th-20th Centuries | Abstract PDF (Русский) Abstract (Русский) |
| Yulia P. Medvedeva | ||
| No 4 (2021): Contemporary Musicology | “Every Teacher is the Driving Force Behind Science and Education” (An interview with Irina S. Stogniy). | Abstract PDF (Русский) |
| Irina S. Stogniy, Olga O. Moskvina, Svetlana A. Pavlova | ||
| No 3 (2020): Contemporary Musicology | “I laughed like a madman at the music alone...” Borodin’s operetta heroic warriors in Victor Krylov's letters to Nikolay Savitsky | Abstract PDF (Русский) Abstract (Русский) |
| Anna V. Bulycheva | ||
| No 2 (2020): Contemporary Musicology | “Le Père-Créateur” of Modern School of Violin Playing: Marking the Anniversary of Giovanni B. Viotti | Abstract PDF (Русский) Abstract (Русский) |
| Polina B. Podmazova | ||
| No 1 (2019): Contemporary Musicology | “Listen, Salieri, my Requiem”: Requiem by V.A. Mozart in the cultural life of Russia in the 19th and early 20th centuries | Abstract PDF Abstract |
| Karina I. Zybina | ||
| No 1 (2017): Contemporary Musicology | “Own” as “another’s”, “another’s” as “own”: Prokofiev’s self-quotations, quotations and compilations | Abstract PDF (Русский) |
| Svetlana A. Petukhova | ||
| No 4 (2019): Contemporary Musicology | “Russian Trace” in the Work of Harrison Birtwistle | Abstract PDF (Русский) Abstract (Русский) |
| Tatiana V. Tsaregradskaya | ||
| Vol 8, No 4 (2024): Contemporary Musicology | “Spanish Trace” in the Plot, Libretto, and Stage Performances of Beethoven’s Opera Fidelio | Abstract PDF PDF (Русский) |
| Larisa V. Kirillina | ||
| Vol 9, No 3 (2025): Contemporary Musicology | “The Black Box” of Musical Feeling: Facts and Fiction | Abstract PDF (Русский) PDF |
| Dina K. Kirnarskaya | ||
| No 1 (2017): Contemporary Musicology | “The Blackamoor of Peter the Great”: the Introduction and a Short Guide to the Opera, Which has not received its Performance | Abstract PDF (Русский) |
| Olesya A. Bobrik | ||
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