| Issue | Title | |
| Vol 8, No 2 (2024): Contemporary Musicology | Sergei Raсhmaninoff and American Press at the Turn of the 1920s and 1930s | Abstract PDF PDF (Русский) |
| Vera B. Val’kova | ||
| Vol 8, No 1 (2024): Contemporary Musicology | Small-Scale Opera Genres in Vienna before and after Christoph Willibald Gluck’s Orfeo ed Euridice: Adaptation and Polemics | Abstract PDF PDF (Русский) |
| Irina P. Susidko | ||
| No 1 (2017): Contemporary Musicology | Solo Numbers in Schubert’s Operas: Arias or Songs? | Abstract PDF (Русский) |
| Nina V. Pilipenko | ||
| No 1 (2022): Contemporary Musicology | Some Thoughts on BWV 769 and 769a Canons | Abstract PDF (Русский) |
| Anatoly P. Milka | ||
| No 2 (2022): Contemporary Musicology | Sometimes You Have “to Skip” a Stubborn “Measure”. On Some Aspects of Shostakovich’s Creative Process | Abstract PDF (Русский) |
| Anton V. Lukyanov | ||
| No 3 (2021): Contemporary Musicology | "...Support is everywhere". An interview with Irina P. Susidko | Abstract PDF (Русский) |
| Irina P. Susidko, Dana A. Nagina | ||
| No 1 (2018): Современные проблемы музыкознания | Tenor-trial and baritone-martin in M.Ravel’s music theatre | Abstract PDF (Русский) |
| Irina S. Zakharbekova | ||
| No 2 (2022): Contemporary Musicology | The Art of Composing a Fugue for a Melodic Instrument | Abstract PDF (Русский) |
| Andrey P. Goretsky | ||
| Vol 8, No 2 (2024): Contemporary Musicology | The Beauties and the Beasts: The Storylines of André Grétry’s Operas in Russian Ballet | Abstract PDF (Русский) |
| Alexandra E. Maximova | ||
| No 3 (2023): Contemporary Musicology | The Creation of the Myth about the Failure of Georges Bizet’s Carmen. Following the Materials of the French Press of the Years 1875–1883 | Abstract PDF (Русский) |
| Anna V. Bulycheva, Elena A. Arutyunova | ||
| No 3 (2023): Contemporary Musicology | The Dancing Prometheus: Beethoven and Ballet | Abstract PDF (Русский) |
| Larissa V. Kirillina | ||
| No 3 (2023): Contemporary Musicology | The Enigma of the Golden Cockerel: Catch It if You Can | Abstract PDF |
| Inna Naroditskaya | ||
| No 2 (2021): Contemporary Musicology | The Final of the Singspiel Doktor and Apotheker by Dittersdorf and the Tradition ofthe Opera Buffa | Abstract PDF (Русский) |
| Svetlana B. Bubeeva | ||
| No 4 (2022): Contemporary Musicology | The Forms in Giovanni Simone Mayr’s Opera Arias: At the Turn of Classical And Romantic | Abstract PDF (Русский) |
| Nina V. Pilipenko | ||
| No 3 (2019): Contemporary Musicology | The genre of concert symphony in the works of Haydn and Mozart | Abstract PDF (Русский) Abstract (Русский) |
| Dana A. Nagina | ||
| Vol 8, No 1 (2024): Contemporary Musicology | The Imposter by Jurgis Karnavicius: A Ballet-Fantasy on a Historical Plot | Abstract PDF PDF (Русский) |
| Anton Vagero, Nina V. Pilipenko | ||
| No 2 (2022): Contemporary Musicology | The Leitmotif of Laughter in Sergei Prokofiev’s The Love for Three Oranges | Abstract PDF (Русский) |
| Nailya V. Nasubulina | ||
| Vol 8, No 2 (2024): Contemporary Musicology | The Musical Rhetoric of Richard Strauss: Towards Setting the Problem | Abstract PDF (Русский) |
| Natalia O. Vlasova | ||
| No 2 (2019): Contemporary Musicology | The Ontology of the Work: Exploring the Creative Discourse | Abstract PDF Abstract |
| Roger Redgate | ||
| No 2 (2018): Contemporary Musicology | The opera "Boris Goudenow, oder Der durch Verschlagenheiterlangte Trohn" by Iohann Matteson in the political context of the era | Abstract PDF (Русский) |
| Evgeniya Yu. Shigaeva | ||
| No 1 (2017): Contemporary Musicology | The operas by Ch.W. Gluck: on the parody and borrowing technic in the musical theatre of 18th century | Abstract PDF (Русский) |
| Irina P. Susidko | ||
| No 4 (2023): Contemporary Musicology | The Peculiarities of Orchestration in Compositions for Parade Ground Concerts of Wind Bands: The Present-Day State of the Problem | Abstract PDF (Русский) |
| Andrey A. Nisenbaum, Olga V. Sobakina | ||
| No 4 (2018): Contemporary Musicology | The Performed and Unperformed Premieres of Dmitri Shostakovich’s Works at the Bolshoi Theater: from the Late 1920s to the Mid-1940s. Commentaries to the Musical Scores from the Archive of the Musical Library of the Bolshoi Theater of Russia | Abstract PDF (Русский) |
| Olesya A. Bobrik | ||
| No 1 (2021): Contemporary Musicology | The phantom of the opera: Mozart's Zaide on stage | Abstract PDF (Русский) |
| Karina I. Zybina | ||
| No 1 (2017): Contemporary Musicology | The principal chorale in «Clavier-Übung III» by J.S. Bach | Abstract PDF (Русский) |
| Elena V. Viаskova | ||
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