| Issue | Title | |
| No 2 (2017): Contemporary Musicology | Plots of Maurice Ravel’s ballets: sources and principles of formation | Abstract PDF (Русский) |
| Irina S. Zakharbekova | ||
| No 2 (2017): Contemporary Musicology | Plurium Motetorum Mass by Claudin de Sermisy and Its Sources | Abstract PDF (Русский) |
| Margarita A. Grigorieva | ||
| No 4 (2021): Contemporary Musicology | Poetic Intonation in the Poems by Alexander Blok and Sergei Yesenin: More on the Methodology of Analysis | Abstract PDF (Русский) |
| Julia M. Oparina | ||
| No 2 (2022): Contemporary Musicology | Political Intrigues of the Court of Florence as a Prerequisite for Giulio Caccini’s Opera The Abduction of Cephalus | Abstract PDF (Русский) |
| Alena D. Verin-Galitskaya | ||
| No 3 (2020): Contemporary Musicology | Prokofiev’s ballet the tale of the stone flower: idea, creation, premiere | Abstract PDF (Русский) Abstract (Русский) |
| Svetlana A. Petukhova | ||
| Vol 9, No 2 (2025): Contemporary Musicology | Pskov-Krivichi Ethnomusicological Borderlines of the Russian Northwest | Abstract PDF (Русский) PDF |
| Larisa M. Belogurova | ||
| Vol 9, No 1 (2025): Contemporary Musicology | Pyotr Tchaikovsky’s The Queen of Spades as a “Faustian” Plot: On the Problem of the Intertextual Content of the Opera | Abstract PDF (Русский) PDF |
| Natalia V. Korolevskaya | ||
| No 2 (2017): Contemporary Musicology | Quotations and allusions in Francis Poulenc’s Piano Improvisations | Abstract PDF (Русский) |
| Arseny I. Ivanov | ||
| No 3 (2019): Contemporary Musicology | Ravel the arranger: transcriptions of piano and orchestra music | Abstract PDF (Русский) Abstract (Русский) |
| Irina S. Zakharbekova | ||
| No 2 (2017): Contemporary Musicology | Reception of Luca Marenzio’s madrigals | Abstract PDF (Русский) |
| Darya A. Kovalevskaya | ||
| No 3 (2021): Contemporary Musicology | Research in the Gnessins Russian Academy of Music: Priority 2030 Program. Interview with A.S. Ryzhinsky and T.I. Naumenko | Abstract PDF (Русский) |
| Alexander S. Ryzhinsky, Tatiana I. Naumenko, Dana A. Nagina | ||
| No 2 (2022): Contemporary Musicology | Rimsky-Korsakov: Principles of Orchestration and Three Operas on Historical Subjects | Abstract PDF (Русский) |
| Maria V. Skuratovskaya | ||
| No 1 (2019): Contemporary Musicology | Russian musician Johann Leopold Fuchs (1783-1853): the view of a modern researcher | Abstract PDF (Русский) Abstract (Русский) |
| Inga A. Presnyakova | ||
| No 3 (2017): Contemporary Musicology | Secrets of Josquin Desprez's Motet «Ut phoebi radiis» | Abstract PDF (Русский) |
| Lyudmila I. Sundukova, Nikolai I. Tarasevich | ||
| No 3 (2022): Contemporary Musicology | Sequenza IV in Luciano Berio’s Piano Work | Abstract PDF (Русский) |
| Olga V. Sobakina | ||
| No 3 (2020): Contemporary Musicology | Sergei Prokofiev: Unfulfilled Ideas of the 1920s | Abstract PDF (Русский) Abstract (Русский) |
| Elena G. Poldiaeva | ||
| Vol 8, No 2 (2024): Contemporary Musicology | Sergei Raсhmaninoff and American Press at the Turn of the 1920s and 1930s | Abstract PDF PDF (Русский) |
| Vera B. Val’kova | ||
| Vol 8, No 1 (2024): Contemporary Musicology | Small-Scale Opera Genres in Vienna before and after Christoph Willibald Gluck’s Orfeo ed Euridice: Adaptation and Polemics | Abstract PDF PDF (Русский) |
| Irina P. Susidko | ||
| No 1 (2017): Contemporary Musicology | Solo Numbers in Schubert’s Operas: Arias or Songs? | Abstract PDF (Русский) |
| Nina V. Pilipenko | ||
| No 1 (2022): Contemporary Musicology | Some Thoughts on BWV 769 and 769a Canons | Abstract PDF (Русский) |
| Anatoly P. Milka | ||
| No 2 (2022): Contemporary Musicology | Sometimes You Have “to Skip” a Stubborn “Measure”. On Some Aspects of Shostakovich’s Creative Process | Abstract PDF (Русский) |
| Anton V. Lukyanov | ||
| No 3 (2021): Contemporary Musicology | "...Support is everywhere". An interview with Irina P. Susidko | Abstract PDF (Русский) |
| Irina P. Susidko, Dana A. Nagina | ||
| No 1 (2018): Современные проблемы музыкознания | Tenor-trial and baritone-martin in M.Ravel’s music theatre | Abstract PDF (Русский) |
| Irina S. Zakharbekova | ||
| No 2 (2022): Contemporary Musicology | The Art of Composing a Fugue for a Melodic Instrument | Abstract PDF (Русский) |
| Andrey P. Goretsky | ||
| Vol 8, No 2 (2024): Contemporary Musicology | The Beauties and the Beasts: The Storylines of André Grétry’s Operas in Russian Ballet | Abstract PDF (Русский) |
| Alexandra E. Maximova | ||
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