Browse Title Index


 
Issue Title
 
No 2 (2022): Contemporary Musicology The Art of Composing a Fugue for a Melodic Instrument Abstract   PDF (Русский)   Abstract (Русский)
Andrey P. Goretsky
 
No 3 (2023): Contemporary Musicology The Creation of the Myth about the Failure of Georges Bizet’s Carmen. Following the Materials of the French Press of the Years 1875–1883 Abstract   PDF (Русский)
Anna V. Bulycheva, Elena A. Arutyunova
 
No 3 (2023): Contemporary Musicology The Dancing Prometheus: Beethoven and Ballet Abstract   PDF (Русский)
Larissa V. Kirillina
 
No 3 (2023): Contemporary Musicology The Enigma of the Golden Cockerel: Catch It if You Can Abstract   PDF
Inna Naroditskaya
 
No 2 (2021): Contemporary Musicology The Final of the Singspiel Doktor and Apotheker by Dittersdorf and the Tradition ofthe Opera Buffa Abstract   PDF (Русский)   Abstract (Русский)
Svetlana B. Bubeeva
 
No 4 (2022): Contemporary Musicology The Forms in Giovanni Simone Mayr’s Opera Arias: At the Turn of Classical And Romantic Abstract   PDF (Русский)   Abstract (Русский)
Nina V. Pilipenko
 
No 3 (2019): Contemporary Musicology The genre of concert symphony in the works of Haydn and Mozart Abstract   PDF (Русский)   Abstract (Русский)
Dana A. Nagina
 
Vol 8, No 1 (2024): Contemporary Musicology The Imposter by Jurgis Karnavicius: A Ballet-Fantasy on a Historical Plot Abstract   PDF   PDF (Русский)
Anton Vagero, Nina V. Pilipenko
 
No 2 (2022): Contemporary Musicology The Leitmotif of Laughter in Sergei Prokofiev’s The Love for Three Oranges Abstract   PDF (Русский)   Abstract (Русский)
Nailya V. Nasubulina
 
No 2 (2019): Contemporary Musicology The Ontology of the Work: Exploring the Creative Discourse Abstract   PDF   Abstract
Roger Redgate
 
No 2 (2018): Contemporary Musicology The opera "Boris Goudenow, oder Der durch Verschlagenheiterlangte Trohn" by Iohann Matteson in the political context of the era Abstract   PDF (Русский)
Evgeniya Yu. Shigaeva
 
No 1 (2017): Contemporary Musicology The operas by Ch.W. Gluck: on the parody and borrowing technic in the musical theatre of 18th century Abstract   PDF (Русский)
Irina P. Susidko
 
No 4 (2023): Contemporary Musicology The Peculiarities of Orchestration in Compositions for Parade Ground Concerts of Wind Bands: The Present-Day State of the Problem Abstract   PDF (Русский)
Andrey A. Nisenbaum, Olga V. Sobakina
 
No 4 (2018): Contemporary Musicology The Performed and Unperformed Premieres of Dmitri Shostakovich’s Works at the Bolshoi Theater: from the Late 1920s to the Mid-1940s. Commentaries to the Musical Scores from the Archive of the Musical Library of the Bolshoi Theater of Russia Abstract   PDF (Русский)
Olesya A. Bobrik
 
No 1 (2021): Contemporary Musicology The phantom of the opera: Mozart's Zaide on stage Abstract   PDF (Русский)   Abstract (Русский)
Karina I. Zybina
 
No 1 (2017): Contemporary Musicology The principal chorale in «Clavier-Übung III» by J.S. Bach Abstract   PDF (Русский)
Elena V. Viаskova
 
No 3 (2018): Contemporary Musicology The revolution of 1917 and the phenomenon of soviet musicology Abstract   PDF (Русский)
Tatiana I. Naumenko
 
No 3 (2023): Contemporary Musicology The Sources for Reconstruction of Piotr Lambin’s Artistic Biography Abstract   PDF (Русский)
Elena N. Baiguzina, Elizaveta M. Kolodina
 
No 4 (2020): Contemporary Musicology The Steel Step ballet by Sergei Prokofiev in Paris and London (1927) Abstract   PDF (Русский)   Abstract (Русский)
Ivan D. Porshnev
 
Vol 8, No 1 (2024): Contemporary Musicology The Structural Poetics of Nikolai Korndorf’s Piano Trio Abstract   PDF (Русский)
Yulia N. Panteleeva
 
No 4 (2019): Contemporary Musicology The Theme of Childhood in French 19th-Century Music: a First-Time Overview Abstract   PDF (Русский)   Abstract (Русский)
Irina S. Zakharbekova
 
No 1 (2023): Contemporary Musicology The “Scholarly Map of Russia” as a Research Project: An Attempt of Systematization of Musicology Abstract   PDF (Русский)   Abstract (Русский)
Tatiana I. Naumenko
 
No 4 (2017): Contemporary Musicology The «Polyphony» of Compositional Tools in the Music by Michael Nyman Abstract   PDF (Русский)
Aleksandra Y. Alekseeva
 
Vol 8, No 1 (2024): Contemporary Musicology Theorist, Composer, Music Teacher Mikhail Berezovsky and His “Adaptation” of Nikolay Diletsky’s Treatise Abstract   PDF (Русский)
Anna V. Bulycheva, Aleksandra V. Alexandrina
 
No 4 (2022): Contemporary Musicology Thomas Tallis’ Magnificats: Features Of The Genre Abstract   PDF (Русский)   Abstract (Русский)
Ekaterina V. Svirskaya
 
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