| Issue | Title | |
| Vol 8, No 2 (2024): Contemporary Musicology | Orchestral Texture in Wang Xilin’s Symphonic Works | Abstract PDF (Русский) |
| Anna V. Klepova, Leyun Xian | ||
| Vol 9, No 4 (2025): Contemporary Musicology | Paisiello e la Russia. Lettere al conte Voroncov, by G. Giuliano and P. De Simone* | Abstract PDF (Русский) PDF |
| Anton O. Demin | ||
| Vol 8, No 4 (2024): Contemporary Musicology | Panorama of 20th Century Opera: from the History of One Cycle of the Main Editorial Board of Music Broadcasting of the All-Union Radio | Abstract PDF PDF (Русский) |
| Lyudmila V. Gavrilova | ||
| No 3 (2022): Contemporary Musicology | Paris Conservatoire and Development of Violin Performance | Abstract PDF (Русский) |
| Polina B. Podmazova | ||
| No 1 (2017): Contemporary Musicology | Parody magnificats by Orlando Lasso and Balduin Hoyoul | Abstract PDF (Русский) |
| Yuliya V. Moskvina | ||
| Vol 9, No 1 (2025): Contemporary Musicology | Passacaglia and Chaconne: Interpretation of Tempo in Theoretical Sources of the 18th Century | Abstract PDF (Русский) PDF |
| Alexei A. Panov, Ivan V. Rosanoff | ||
| No 2 (2017): Contemporary Musicology | Plots of Maurice Ravel’s ballets: sources and principles of formation | Abstract PDF (Русский) |
| Irina S. Zakharbekova | ||
| No 2 (2017): Contemporary Musicology | Plurium Motetorum Mass by Claudin de Sermisy and Its Sources | Abstract PDF (Русский) |
| Margarita A. Grigorieva | ||
| No 4 (2021): Contemporary Musicology | Poetic Intonation in the Poems by Alexander Blok and Sergei Yesenin: More on the Methodology of Analysis | Abstract PDF (Русский) |
| Julia M. Oparina | ||
| No 2 (2022): Contemporary Musicology | Political Intrigues of the Court of Florence as a Prerequisite for Giulio Caccini’s Opera The Abduction of Cephalus | Abstract PDF (Русский) |
| Alena D. Verin-Galitskaya | ||
| No 3 (2020): Contemporary Musicology | Prokofiev’s ballet the tale of the stone flower: idea, creation, premiere | Abstract PDF (Русский) Abstract (Русский) |
| Svetlana A. Petukhova | ||
| Vol 9, No 2 (2025): Contemporary Musicology | Pskov-Krivichi Ethnomusicological Borderlines of the Russian Northwest | Abstract PDF (Русский) PDF |
| Larisa M. Belogurova | ||
| Vol 9, No 1 (2025): Contemporary Musicology | Pyotr Tchaikovsky’s The Queen of Spades as a “Faustian” Plot: On the Problem of the Intertextual Content of the Opera | Abstract PDF (Русский) PDF |
| Natalia V. Korolevskaya | ||
| No 2 (2017): Contemporary Musicology | Quotations and allusions in Francis Poulenc’s Piano Improvisations | Abstract PDF (Русский) |
| Arseny I. Ivanov | ||
| Vol 9, No 3 (2025): Contemporary Musicology | Rachmaninoff and France: 1920s–30s | Abstract PDF (Русский) PDF |
| Vera B. Val’kova | ||
| No 3 (2019): Contemporary Musicology | Ravel the arranger: transcriptions of piano and orchestra music | Abstract PDF (Русский) Abstract (Русский) |
| Irina S. Zakharbekova | ||
| No 2 (2017): Contemporary Musicology | Reception of Luca Marenzio’s madrigals | Abstract PDF (Русский) |
| Darya A. Kovalevskaya | ||
| No 3 (2021): Contemporary Musicology | Research in the Gnessins Russian Academy of Music: Priority 2030 Program. Interview with A.S. Ryzhinsky and T.I. Naumenko | Abstract PDF (Русский) |
| Alexander S. Ryzhinsky, Tatiana I. Naumenko, Dana A. Nagina | ||
| Vol 9, No 4 (2025): Contemporary Musicology | Resonances of absence: Voice, nostalgia, and memory in Dmitri Shostakovich’s Seven Romances on Verses by Alexander Blok | Abstract PDF PDF (Русский) |
| Ivana Petković Lozo | ||
| Vol 9, No 3 (2025): Contemporary Musicology | Revision of the Orchestral and Vocal Works of Modest Musorgsky by Nikolai Rimsky-Korsakov. Part I. The Publication History and Legal Aspects of Musorgsky’s Works Edited by Rimsky-Korsakov | Abstract PDF (Русский) PDF |
| Nadezhda I. Teterina, Vasilisa A. Aleksandrova, Ivan E. Levashev | ||
| No 2 (2022): Contemporary Musicology | Rimsky-Korsakov: Principles of Orchestration and Three Operas on Historical Subjects | Abstract PDF (Русский) |
| Maria V. Skuratovskaya | ||
| No 1 (2019): Contemporary Musicology | Russian musician Johann Leopold Fuchs (1783-1853): the view of a modern researcher | Abstract PDF (Русский) Abstract (Русский) |
| Inga A. Presnyakova | ||
| No 3 (2017): Contemporary Musicology | Secrets of Josquin Desprez's Motet «Ut phoebi radiis» | Abstract PDF (Русский) |
| Lyudmila I. Sundukova, Nikolai I. Tarasevich | ||
| No 3 (2022): Contemporary Musicology | Sequenza IV in Luciano Berio’s Piano Work | Abstract PDF (Русский) |
| Olga V. Sobakina | ||
| No 3 (2020): Contemporary Musicology | Sergei Prokofiev: Unfulfilled Ideas of the 1920s | Abstract PDF (Русский) Abstract (Русский) |
| Elena G. Poldiaeva | ||
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