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Issue |
Title |
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Vol 8, No 2 (2024): Contemporary Musicology |
Sergei Raсhmaninoff and American Press at the Turn of the 1920s and 1930s |
Abstract
PDF
PDF (Русский)
|
Vera B. Val’kova |
|
Vol 8, No 1 (2024): Contemporary Musicology |
Small-Scale Opera Genres in Vienna before and after Christoph Willibald Gluck’s Orfeo ed Euridice: Adaptation and Polemics |
Abstract
PDF
PDF (Русский)
|
Irina P. Susidko |
|
No 1 (2017): Contemporary Musicology |
Solo Numbers in Schubert’s Operas: Arias or Songs? |
Abstract
PDF (Русский)
|
Nina V. Pilipenko |
|
No 1 (2022): Contemporary Musicology |
Some Thoughts on BWV 769 and 769a Canons |
Abstract
PDF (Русский)
|
Anatoly P. Milka |
|
No 2 (2022): Contemporary Musicology |
Sometimes You Have “to Skip” a Stubborn “Measure”. On Some Aspects of Shostakovich’s Creative Process |
Abstract
PDF (Русский)
|
Anton V. Lukyanov |
|
No 3 (2021): Contemporary Musicology |
"...Support is everywhere". An interview with Irina P. Susidko |
Abstract
PDF (Русский)
|
Irina P. Susidko, Dana A. Nagina |
|
No 1 (2018): Современные проблемы музыкознания |
Tenor-trial and baritone-martin in M.Ravel’s music theatre |
Abstract
PDF (Русский)
|
Irina S. Zakharbekova |
|
No 2 (2022): Contemporary Musicology |
The Art of Composing a Fugue for a Melodic Instrument |
Abstract
PDF (Русский)
|
Andrey P. Goretsky |
|
Vol 8, No 2 (2024): Contemporary Musicology |
The Beauties and the Beasts: The Storylines of André Grétry’s Operas in Russian Ballet |
Abstract
PDF (Русский)
|
Alexandra E. Maximova |
|
No 3 (2023): Contemporary Musicology |
The Creation of the Myth about the Failure of Georges Bizet’s Carmen. Following the Materials of the French Press of the Years 1875–1883 |
Abstract
PDF (Русский)
|
Anna V. Bulycheva, Elena A. Arutyunova |
|
No 3 (2023): Contemporary Musicology |
The Dancing Prometheus: Beethoven and Ballet |
Abstract
PDF (Русский)
|
Larissa V. Kirillina |
|
No 3 (2023): Contemporary Musicology |
The Enigma of the Golden Cockerel: Catch It if You Can |
Abstract
PDF
|
Inna Naroditskaya |
|
No 2 (2021): Contemporary Musicology |
The Final of the Singspiel Doktor and Apotheker by Dittersdorf and the Tradition ofthe Opera Buffa |
Abstract
PDF (Русский)
|
Svetlana B. Bubeeva |
|
No 4 (2022): Contemporary Musicology |
The Forms in Giovanni Simone Mayr’s Opera Arias: At the Turn of Classical And Romantic |
Abstract
PDF (Русский)
|
Nina V. Pilipenko |
|
No 3 (2019): Contemporary Musicology |
The genre of concert symphony in the works of Haydn and Mozart |
Abstract
PDF (Русский)
Abstract (Русский)
|
Dana A. Nagina |
|
Vol 8, No 1 (2024): Contemporary Musicology |
The Imposter by Jurgis Karnavicius: A Ballet-Fantasy on a Historical Plot |
Abstract
PDF
PDF (Русский)
|
Anton Vagero, Nina V. Pilipenko |
|
No 2 (2022): Contemporary Musicology |
The Leitmotif of Laughter in Sergei Prokofiev’s The Love for Three Oranges |
Abstract
PDF (Русский)
|
Nailya V. Nasubulina |
|
Vol 8, No 2 (2024): Contemporary Musicology |
The Musical Rhetoric of Richard Strauss: Towards Setting the Problem |
Abstract
PDF (Русский)
|
Natalia O. Vlasova |
|
No 2 (2019): Contemporary Musicology |
The Ontology of the Work: Exploring the Creative Discourse |
Abstract
PDF
Abstract
|
Roger Redgate |
|
No 2 (2018): Contemporary Musicology |
The opera "Boris Goudenow, oder Der durch Verschlagenheiterlangte Trohn" by Iohann Matteson in the political context of the era |
Abstract
PDF (Русский)
|
Evgeniya Yu. Shigaeva |
|
No 1 (2017): Contemporary Musicology |
The operas by Ch.W. Gluck: on the parody and borrowing technic in the musical theatre of 18th century |
Abstract
PDF (Русский)
|
Irina P. Susidko |
|
No 4 (2023): Contemporary Musicology |
The Peculiarities of Orchestration in Compositions for Parade Ground Concerts of Wind Bands: The Present-Day State of the Problem |
Abstract
PDF (Русский)
|
Andrey A. Nisenbaum, Olga V. Sobakina |
|
No 4 (2018): Contemporary Musicology |
The Performed and Unperformed Premieres of Dmitri Shostakovich’s Works at the Bolshoi Theater: from the Late 1920s to the Mid-1940s. Commentaries to the Musical Scores from the Archive of the Musical Library of the Bolshoi Theater of Russia |
Abstract
PDF (Русский)
|
Olesya A. Bobrik |
|
No 1 (2021): Contemporary Musicology |
The phantom of the opera: Mozart's Zaide on stage |
Abstract
PDF (Русский)
|
Karina I. Zybina |
|
No 1 (2017): Contemporary Musicology |
The principal chorale in «Clavier-Übung III» by J.S. Bach |
Abstract
PDF (Русский)
|
Elena V. Viаskova |
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