| Issue | Title | |
| No 4 (2018): Contemporary Musicology | A. Batagov's "Selected Letters of Sergei Rachmaninoff": Toward the Problem of "Function-Author" in contemporary musical discourse | Abstract PDF (Русский) |
| Yulia N. Panteleeva | ||
| No 2 (2022): Contemporary Musicology | A Fugue as Art: Between Form and Metamorphoses | Abstract PDF (Русский) |
| Maya I. Shinkareva | ||
| No 3 (2019): Contemporary Musicology | A Russian way of depicting true Portuguese traditions? Alentejo Suite No. 1 by Luis de Freitas Branco and its connections with intergalisimo lusitano | Abstract PDF Abstract |
| Isabel Pina | ||
| No 3 (2022): Contemporary Musicology | A Scholar Knows No Boundary In Time: An Interview with Avgusta Malinkovskaya | Abstract PDF (Русский) |
| Augusta V. Malinkovskaya, Margarita A. Bukrinskaya | ||
| No 4 (2019): Contemporary Musicology | About Methodological Basis of Alban Berg’s Creative Process | Abstract PDF (Русский) Abstract (Русский) |
| Yulia S. Veksler | ||
| No 2 (2017): Contemporary Musicology | About musical ideas of W.A. Mozart’s Sinfonia concertante in E-flat major in the context of «own» and «another’s» problem | Abstract PDF (Русский) |
| Dana A. Nagina | ||
| No 1 (2023): Contemporary Musicology | About the Interpretation of a Work of Art | Abstract PDF (Русский) |
| Natalia S. Gulyanitskaya | ||
| No 1 (2018): Современные проблемы музыкознания | About the metaphorical reenactment of history in Auber and Scribe's «Gustave III, ou le bal masqué» | Abstract PDF (Русский) |
| Olga V. Zhestkova | ||
| No 4 (2017): Contemporary Musicology | About «Own» and «Other’s» in Finale of Shostakovich’s Fifteenth Symphony | Abstract PDF (Русский) |
| Olga V. Shmakova | ||
| Vol 8, No 3 (2024): Contemporary Musicology | Ahmed Adnan Saygun’s Opera “Őzsoy” — a Cultural-Political Project and an Artistic Event in 20th Century Turkish Music | Abstract PDF PDF (Русский) |
| Natalia I. Degtyareva, Makhruza N. kyzy Dzhavadova | ||
| No 1 (2019): Contemporary Musicology | Alban Berg. “Diary” of a trip to Leningrad (based on the composer’s notebooks) | Abstract PDF (Русский) Abstract (Русский) |
| Yulia S. Veksler | ||
| No 1 (2021): Contemporary Musicology | An attempt to attribute the authorship of the treatises from the collection “The Modern Musick-Master” (London, 1730). | Abstract PDF (Русский) |
| Alexei A. Panov, Ivan V. Rosanoff | ||
| No 4 (2021): Contemporary Musicology | An Experience of Narratological Analysis: Evidence from the Sketches for the Symphonic Poem by Richard Strauss A Hero’s Life | Abstract PDF (Русский) |
| Olga O. Moskvina | ||
| No 2 (2018): Contemporary Musicology | An interesting find in the central scientific library of Kharkiv national university | Abstract PDF (Русский) |
| Кateryna Yu. Elyseeva | ||
| No 4 (2018): Contemporary Musicology | Anthems by Henry Purcell: biblical text and its musical implementation peculiarities | Abstract PDF (Русский) |
| Alexander S. Yevdokimov | ||
| No 4 (2023): Contemporary Musicology | Anton Rubinstein and Grand Duke Konstantin Nikolayevich. Concerning the History of Their Interactions | Abstract PDF |
| Grigory A. Moiseev | ||
| No 3 (2023): Contemporary Musicology | Anton Webern and the Renaissance Tradition | Abstract PDF |
| Irina I. Snitkova | ||
| No 4 (2021): Contemporary Musicology | Antonio Vivaldi’s Group of Concerts The Four Seasons: From Baroque Synthesis of Arts to New 20th-Century Forms of Artistic Synthesis… | Abstract PDF (Русский) |
| Aleksandra A. Gorshchuk | ||
| No 3 (2021): Contemporary Musicology | Approaches to recapitulation in the musical forms of classical style and romanticism | Abstract PDF (Русский) |
| Mikhail Ye. Pylaev | ||
| No 4 (2017): Contemporary Musicology | Appropriation in Visual Art, but what about Music? | Abstract PDF (Русский) |
| Maya I. Shinkareva | ||
| No 2 (2018): Contemporary Musicology | Archaeology on the opera stage. "Aida" by G.Verdi through the prism of egyptomania of the nineteenth century | Abstract PDF (Русский) |
| Yulia S. Veksler | ||
| No 4 (2023): Contemporary Musicology | Arnold Schönberg’s and Alban Berg’s Personal Libraries as a Source of Study of Artistic Biographies | Abstract PDF (Русский) |
| Yulia S. Veksler | ||
| No 3 (2018): Contemporary Musicology | Around the «Russian seasons»: Rimsky-Korsakov, Delines, Lifar | Abstract PDF (Русский) |
| Svetlana A. Petukhova | ||
| No 2 (2018): Contemporary Musicology | "At last a breach in the wall, "erected by indifference or Cesar Cui's opera. "The Prisoner of the Caucasus" through the eyes belgian music criticism | Abstract PDF (Русский) |
| Anna V. Bulycheva | ||
| No 2 (2019): Contemporary Musicology | At the Crossroads of Traditions: Austria and Russia in the Creative Destiny of V. Martin у Soler | Abstract PDF (Русский) Abstract (Русский) |
| Irina A. Kryazheva | ||
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