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Issue Title
 
Vol 8, No 1 (2024): Contemporary Musicology The Structural Poetics of Nikolai Korndorf’s Piano Trio Abstract   PDF (Русский)
Yulia N. Panteleeva
 
No 4 (2019): Contemporary Musicology The Theme of Childhood in French 19th-Century Music: a First-Time Overview Abstract   PDF (Русский)   Abstract (Русский)
Irina S. Zakharbekova
 
No 1 (2023): Contemporary Musicology The “Scholarly Map of Russia” as a Research Project: An Attempt of Systematization of Musicology Abstract   PDF (Русский)   Abstract (Русский)
Tatiana I. Naumenko
 
No 4 (2017): Contemporary Musicology The «Polyphony» of Compositional Tools in the Music by Michael Nyman Abstract   PDF (Русский)
Aleksandra Y. Alekseeva
 
Vol 8, No 1 (2024): Contemporary Musicology Theorist, Composer, Music Teacher Mikhail Berezovsky and His “Adaptation” of Nikolay Diletsky’s Treatise Abstract   PDF (Русский)
Anna V. Bulycheva, Aleksandra V. Alexandrina
 
No 4 (2022): Contemporary Musicology Thomas Tallis’ Magnificats: Features Of The Genre Abstract   PDF (Русский)   Abstract (Русский)
Ekaterina V. Svirskaya
 
No 4 (2017): Contemporary Musicology Three methods of play with «loanword» in Luciano Berio’s music Abstract   PDF (Русский)
Nadezhda A. Travina, Mikhail A. Saponov
 
No 1 (2020): Contemporary Musicology To the perfect instruments of Arnolt Schlick Abstract   PDF (Русский)   Abstract (Русский)
Fedosia W. Tabyisova
 
No 2 (2019): Contemporary Musicology Topoi and Musical Narrative: D. Shostakovich. Prelude op.34 No.7 Abstract   PDF (Русский)   Abstract (Русский)
Tatiana V. Tsaregradskaya
 
No 3 (2018): Contemporary Musicology Travelling Opera Troupes in Russia: the Locatelli’s Company Abstract   PDF (Русский)
Paul V. Lutsker
 
No 2 (2022): Contemporary Musicology Trio texture in choral arrangements and polyclavier organ of Southern Germany in the first third of the 16th century Abstract   PDF (Русский)   Abstract (Русский)
Fedosia W. Tabyisova
 
No 2 (2017): Contemporary Musicology Tristan Topos in Alban Berg’s Music Abstract   PDF (Русский)
Yulia S. Veksler
 
No 3 (2017): Contemporary Musicology Twists of a Theme Self / Other’s with Regard to Shostakovich’s Рiano Cycle «Aphorisms» (оp.13) and Three Fugues (1934) Abstract   PDF (Русский)
Larissa L. Gerver
 
No 3 (2022): Contemporary Musicology Under the Sign of the Gnesins’ house: Marking the Anniversary of prof. Malinkovskaya Abstract   PDF (Русский)   Abstract (Русский)
Dmitry V. Belyak
 
No 3 (2021): Contemporary Musicology Variations on an old Russuan chant: nostalgia for Imperial Russia in the Vladimir Dukelsky's oeuvre Abstract   PDF (Русский)   Abstract (Русский)
Antonina S. Maksimova
 
No 4 (2018): Contemporary Musicology Vasily Kalafati’s opera Tsygany (“The Gypsies”) after Alexander Pushkin Abstract   PDF (Русский)
Stanimira S. Dermendzhieva
 
No 1 (2017): Contemporary Musicology Vasily Titov—Gerasim (Zavadovsky)—Kirill Zayushevich: Artistic Dialogue, Artistic Emulation Abstract   PDF (Русский)
Anna V. Bulycheva
 
No 2 (2019): Contemporary Musicology Vienna Metamorphoses: From Waltz to L. Wittgenstein's Theory of Language Abstract   PDF (Русский)   Abstract (Русский)
Irina S. Stogniy
 
No 4 (2020): Contemporary Musicology Vladimir Dukelsky. In Defence of Forgotten Music Abstract   PDF (Русский)   Abstract (Русский)
Antonina S. Maksimova
 
No 3 (2017): Contemporary Musicology Vladimir Martinov’s Structural Archeology: Archetypes and Intertexts. Abstract   PDF (Русский)
Margarita I. Katunyan
 
No 2 (2021): Contemporary Musicology War and Peace: Biographical Milestones Abstract   PDF (Русский)   Abstract (Русский)
Svetlana A. Petukhova
 
No 4 (2022): Contemporary Musicology Western Slavic Motifs in the Works of Russian Composers of the Second Half of the 19th Century Abstract   PDF (Русский)   Abstract (Русский)
Elizaveta A. Shavyrina
 
No 1 (2018): Современные проблемы музыкознания Why americans so love Schenker (and Riemann even more) Abstract   PDF (Русский)
Philip Ewell
 
No 2 (2021): Contemporary Musicology Wilhelm Friedemann Bach’s Clavier Fantasies: A Creative Dialogue with the Father. Abstract   PDF (Русский)   Abstract (Русский)
Arseny I. Ivanov
 
No 4 (2017): Contemporary Musicology Working on the Soviet Opera after 1936 Abstract   PDF (Русский)
Tatiana I. Naumenko
 
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