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Issue |
Title |
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No 3 (2023): Contemporary Musicology |
The Creation of the Myth about the Failure of Georges Bizet’s Carmen. Following the Materials of the French Press of the Years 1875–1883 |
Abstract
PDF (Русский)
|
Anna V. Bulycheva, Elena A. Arutyunova |
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No 3 (2023): Contemporary Musicology |
The Dancing Prometheus: Beethoven and Ballet |
Abstract
PDF (Русский)
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Larissa V. Kirillina |
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No 3 (2023): Contemporary Musicology |
The Enigma of the Golden Cockerel: Catch It if You Can |
Abstract
PDF
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Inna Naroditskaya |
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No 2 (2021): Contemporary Musicology |
The Final of the Singspiel Doktor and Apotheker by Dittersdorf and the Tradition ofthe Opera Buffa |
Abstract
PDF (Русский)
|
Svetlana B. Bubeeva |
|
No 4 (2022): Contemporary Musicology |
The Forms in Giovanni Simone Mayr’s Opera Arias: At the Turn of Classical And Romantic |
Abstract
PDF (Русский)
|
Nina V. Pilipenko |
|
No 3 (2019): Contemporary Musicology |
The genre of concert symphony in the works of Haydn and Mozart |
Abstract
PDF (Русский)
Abstract (Русский)
|
Dana A. Nagina |
|
Vol 8, No 1 (2024): Contemporary Musicology |
The Imposter by Jurgis Karnavicius: A Ballet-Fantasy on a Historical Plot |
Abstract
PDF
PDF (Русский)
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Anton Vagero, Nina V. Pilipenko |
|
No 2 (2022): Contemporary Musicology |
The Leitmotif of Laughter in Sergei Prokofiev’s The Love for Three Oranges |
Abstract
PDF (Русский)
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Nailya V. Nasubulina |
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Vol 8, No 2 (2024): Contemporary Musicology |
The Musical Rhetoric of Richard Strauss: Towards Setting the Problem |
Abstract
PDF (Русский)
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Natalia O. Vlasova |
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Vol 9, No 2 (2025): Contemporary Musicology |
The Oeuvre Inspired by Utopias: On the Centennial of Klaus Huber (1924―2017) |
Abstract
PDF (Русский)
PDF
|
Levon Hakobian (Akopyan) |
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No 2 (2019): Contemporary Musicology |
The Ontology of the Work: Exploring the Creative Discourse |
Abstract
PDF
Abstract
|
Roger Redgate |
|
No 2 (2018): Contemporary Musicology |
The opera "Boris Goudenow, oder Der durch Verschlagenheiterlangte Trohn" by Iohann Matteson in the political context of the era |
Abstract
PDF (Русский)
|
Evgeniya Yu. Shigaeva |
|
No 1 (2017): Contemporary Musicology |
The operas by Ch.W. Gluck: on the parody and borrowing technic in the musical theatre of 18th century |
Abstract
PDF (Русский)
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Irina P. Susidko |
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No 4 (2023): Contemporary Musicology |
The Peculiarities of Orchestration in Compositions for Parade Ground Concerts of Wind Bands: The Present-Day State of the Problem |
Abstract
PDF (Русский)
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Andrey A. Nisenbaum, Olga V. Sobakina |
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No 4 (2018): Contemporary Musicology |
The Performed and Unperformed Premieres of Dmitri Shostakovich’s Works at the Bolshoi Theater: from the Late 1920s to the Mid-1940s. Commentaries to the Musical Scores from the Archive of the Musical Library of the Bolshoi Theater of Russia |
Abstract
PDF (Русский)
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Olesya A. Bobrik |
|
No 1 (2021): Contemporary Musicology |
The phantom of the opera: Mozart's Zaide on stage |
Abstract
PDF (Русский)
|
Karina I. Zybina |
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No 1 (2017): Contemporary Musicology |
The principal chorale in «Clavier-Übung III» by J.S. Bach |
Abstract
PDF (Русский)
|
Elena V. Viаskova |
|
No 3 (2018): Contemporary Musicology |
The revolution of 1917 and the phenomenon of soviet musicology |
Abstract
PDF (Русский)
|
Tatiana I. Naumenko |
|
Vol 8, No 3 (2024): Contemporary Musicology |
The Scene of the Council Hall: the Storyline and the Structure of the Grand Final Scene in the Second Edition of Verdi’s Opera Simon Boccanegra |
Abstract
PDF
PDF (Русский)
|
Anastasia A. Logunova |
|
No 3 (2023): Contemporary Musicology |
The Sources for Reconstruction of Piotr Lambin’s Artistic Biography |
Abstract
PDF (Русский)
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Elena N. Baiguzina, Elizaveta M. Kolodina |
|
No 4 (2020): Contemporary Musicology |
The Steel Step ballet by Sergei Prokofiev in Paris and London (1927) |
Abstract
PDF (Русский)
Abstract (Русский)
|
Ivan D. Porshnev |
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Vol 8, No 1 (2024): Contemporary Musicology |
The Structural Poetics of Nikolai Korndorf’s Piano Trio |
Abstract
PDF (Русский)
|
Yulia N. Panteleeva |
|
Vol 8, No 3 (2024): Contemporary Musicology |
The Terms Selete and Pause in the Manuscripts of the Productions of The Seven Joys of Mary in Brussels: the Significance and the Functions |
Abstract
PDF
PDF (Русский)
|
Irina V. Klimova |
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No 4 (2019): Contemporary Musicology |
The Theme of Childhood in French 19th-Century Music: a First-Time Overview |
Abstract
PDF (Русский)
Abstract (Русский)
|
Irina S. Zakharbekova |
|
No 1 (2023): Contemporary Musicology |
The “Scholarly Map of Russia” as a Research Project: An Attempt of Systematization of Musicology |
Abstract
PDF (Русский)
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Tatiana I. Naumenko |
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