Browse Title Index

Issue Title
No 4 (2017): Contemporary Musicology Three methods of play with «loanword» in Luciano Berio’s music Abstract   PDF (Русский)
Nadezhda A. Travina, Mikhail A. Saponov
No 1 (2020): Contemporary Musicology To the perfect instruments of Arnolt Schlick Abstract   PDF (Русский)   Abstract (Русский)
Fedosia W. Tabyisova
No 2 (2019): Contemporary Musicology Topoi and Musical Narrative: D. Shostakovich. Prelude op.34 No.7 Abstract   PDF (Русский)   Abstract (Русский)
Tatiana V. Tsaregradskaya
No 3 (2018): Contemporary Musicology Travelling Opera Troupes in Russia: the Locatelli’s Company Abstract   PDF (Русский)
Paul V. Lutsker
No 2 (2022): Contemporary Musicology Trio texture in choral arrangements and polyclavier organ of Southern Germany in the first third of the 16th century Abstract   PDF (Русский)   Abstract (Русский)
Fedosia W. Tabyisova
No 2 (2017): Contemporary Musicology Tristan Topos in Alban Berg’s Music Abstract   PDF (Русский)
Yulia S. Veksler
No 3 (2017): Contemporary Musicology Twists of a Theme Self / Other’s with Regard to Shostakovich’s Рiano Cycle «Aphorisms» (оp.13) and Three Fugues (1934) Abstract   PDF (Русский)
Larissa L. Gerver
No 3 (2022): Contemporary Musicology Under the Sign of the Gnesins’ house: Marking the Anniversary of prof. Malinkovskaya Abstract   PDF (Русский)   Abstract (Русский)
Dmitry V. Belyak
No 3 (2021): Contemporary Musicology Variations on an old Russuan chant: nostalgia for Imperial Russia in the Vladimir Dukelsky's oeuvre Abstract   PDF (Русский)   Abstract (Русский)
Antonina S. Maksimova
No 4 (2018): Contemporary Musicology Vasily Kalafati’s opera Tsygany (“The Gypsies”) after Alexander Pushkin Abstract   PDF (Русский)
Stanimira S. Dermendzhieva
No 1 (2017): Contemporary Musicology Vasily Titov—Gerasim (Zavadovsky)—Kirill Zayushevich: Artistic Dialogue, Artistic Emulation Abstract   PDF (Русский)
Anna V. Bulycheva
No 2 (2019): Contemporary Musicology Vienna Metamorphoses: From Waltz to L. Wittgenstein's Theory of Language Abstract   PDF (Русский)   Abstract (Русский)
Irina S. Stogniy
No 4 (2020): Contemporary Musicology Vladimir Dukelsky. In Defence of Forgotten Music Abstract   PDF (Русский)   Abstract (Русский)
Antonina S. Maksimova
No 3 (2017): Contemporary Musicology Vladimir Martinov’s Structural Archeology: Archetypes and Intertexts. Abstract   PDF (Русский)
Margarita I. Katunyan
No 2 (2021): Contemporary Musicology War and Peace: Biographical Milestones Abstract   PDF (Русский)   Abstract (Русский)
Svetlana A. Petukhova
No 4 (2022): Contemporary Musicology Western Slavic Motifs in the Works of Russian Composers of the Second Half of the 19th Century Abstract   PDF (Русский)   Abstract (Русский)
Elizaveta A. Shavyrina
No 1 (2018): Современные проблемы музыкознания Why americans so love Schenker (and Riemann even more) Abstract   PDF (Русский)
Philip Ewell
No 2 (2021): Contemporary Musicology Wilhelm Friedemann Bach’s Clavier Fantasies: A Creative Dialogue with the Father. Abstract   PDF (Русский)   Abstract (Русский)
Arseny I. Ivanov
No 4 (2017): Contemporary Musicology Working on the Soviet Opera after 1936 Abstract   PDF (Русский)
Tatiana I. Naumenko
No 2 (2020): Contemporary Musicology “Chinese Style” in Music at the Turn of the 19th-20th Centuries Abstract   PDF (Русский)   Abstract (Русский)
Yulia P. Medvedeva
No 4 (2021): Contemporary Musicology “Every Teacher is the Driving Force Behind Science and Education” (An interview with Irina S. Stogniy). Abstract   PDF (Русский)   Abstract (Русский)
Irina S. Stogniy, Olga O. Moskvina, Svetlana A. Pavlova
No 3 (2020): Contemporary Musicology “I laughed like a madman at the music alone...” Borodin’s operetta heroic warriors in Victor Krylov's letters to Nikolay Savitsky Abstract   PDF (Русский)   Abstract (Русский)
Anna V. Bulycheva
No 2 (2020): Contemporary Musicology “Le Père-Créateur” of Modern School of Violin Playing: Marking the Anniversary of Giovanni B. Viotti Abstract   PDF (Русский)   Abstract (Русский)
Polina B. Podmazova
No 1 (2019): Contemporary Musicology “Listen, Salieri, my Requiem”: Requiem by V.A. Mozart in the cultural life of Russia in the 19th and early 20th centuries Abstract   PDF   Abstract
Karina I. Zybina
No 1 (2017): Contemporary Musicology “Own” as “another’s”, “another’s” as “own”: Prokofiev’s self-quotations, quotations and compilations Abstract   PDF (Русский)
Svetlana A. Petukhova
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