|
Issue |
Title |
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No 3 (2018): Contemporary Musicology |
The revolution of 1917 and the phenomenon of soviet musicology |
Abstract
PDF (Русский)
|
Tatiana I. Naumenko |
|
Vol 8, No 3 (2024): Contemporary Musicology |
The Scene of the Council Hall: the Storyline and the Structure of the Grand Final Scene in the Second Edition of Verdi’s Opera Simon Boccanegra |
Abstract
PDF
PDF (Русский)
|
Anastasia A. Logunova |
|
No 3 (2023): Contemporary Musicology |
The Sources for Reconstruction of Piotr Lambin’s Artistic Biography |
Abstract
PDF (Русский)
|
Elena N. Baiguzina, Elizaveta M. Kolodina |
|
No 4 (2020): Contemporary Musicology |
The Steel Step ballet by Sergei Prokofiev in Paris and London (1927) |
Abstract
PDF (Русский)
Abstract (Русский)
|
Ivan D. Porshnev |
|
Vol 8, No 1 (2024): Contemporary Musicology |
The Structural Poetics of Nikolai Korndorf’s Piano Trio |
Abstract
PDF (Русский)
|
Yulia N. Panteleeva |
|
Vol 8, No 3 (2024): Contemporary Musicology |
The Terms Selete and Pause in the Manuscripts of the Productions of The Seven Joys of Mary in Brussels: the Significance and the Functions |
Abstract
PDF
PDF (Русский)
|
Irina V. Klimova |
|
No 4 (2019): Contemporary Musicology |
The Theme of Childhood in French 19th-Century Music: a First-Time Overview |
Abstract
PDF (Русский)
Abstract (Русский)
|
Irina S. Zakharbekova |
|
No 1 (2023): Contemporary Musicology |
The “Scholarly Map of Russia” as a Research Project: An Attempt of Systematization of Musicology |
Abstract
PDF (Русский)
|
Tatiana I. Naumenko |
|
No 4 (2017): Contemporary Musicology |
The «Polyphony» of Compositional Tools in the Music by Michael Nyman |
Abstract
PDF (Русский)
|
Aleksandra Y. Alekseeva |
|
Vol 8, No 1 (2024): Contemporary Musicology |
Theorist, Composer, Music Teacher Mikhail Berezovsky and His “Adaptation” of Nikolay Diletsky’s Treatise |
Abstract
PDF (Русский)
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Anna V. Bulycheva, Aleksandra V. Alexandrina |
|
No 4 (2022): Contemporary Musicology |
Thomas Tallis’ Magnificats: Features Of The Genre |
Abstract
PDF (Русский)
|
Ekaterina V. Svirskaya |
|
No 4 (2017): Contemporary Musicology |
Three methods of play with «loanword» in Luciano Berio’s music |
Abstract
PDF (Русский)
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Nadezhda A. Travina, Mikhail A. Saponov |
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No 1 (2020): Contemporary Musicology |
To the perfect instruments of Arnolt Schlick |
Abstract
PDF (Русский)
Abstract (Русский)
|
Fedosia W. Tabyisova |
|
No 2 (2019): Contemporary Musicology |
Topoi and Musical Narrative: D. Shostakovich. Prelude op.34 No.7 |
Abstract
PDF (Русский)
Abstract (Русский)
|
Tatiana V. Tsaregradskaya |
|
No 3 (2018): Contemporary Musicology |
Travelling Opera Troupes in Russia: the Locatelli’s Company |
Abstract
PDF (Русский)
|
Paul V. Lutsker |
|
No 2 (2022): Contemporary Musicology |
Trio texture in choral arrangements and polyclavier organ of Southern Germany in the first third of the 16th century |
Abstract
PDF (Русский)
|
Fedosia W. Tabyisova |
|
No 2 (2017): Contemporary Musicology |
Tristan Topos in Alban Berg’s Music |
Abstract
PDF (Русский)
|
Yulia S. Veksler |
|
No 3 (2017): Contemporary Musicology |
Twists of a Theme Self / Other’s with Regard to Shostakovich’s Рiano Cycle «Aphorisms» (оp.13) and Three Fugues (1934) |
Abstract
PDF (Русский)
|
Larissa L. Gerver |
|
No 3 (2022): Contemporary Musicology |
Under the Sign of the Gnesins’ house: Marking the Anniversary of prof. Malinkovskaya |
Abstract
PDF (Русский)
|
Dmitry V. Belyak |
|
No 3 (2021): Contemporary Musicology |
Variations on an old Russuan chant: nostalgia for Imperial Russia in the Vladimir Dukelsky's oeuvre |
Abstract
PDF (Русский)
|
Antonina S. Maksimova |
|
No 4 (2018): Contemporary Musicology |
Vasily Kalafati’s opera Tsygany (“The Gypsies”) after Alexander Pushkin |
Abstract
PDF (Русский)
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Stanimira S. Dermendzhieva |
|
No 1 (2017): Contemporary Musicology |
Vasily Titov—Gerasim (Zavadovsky)—Kirill Zayushevich: Artistic Dialogue, Artistic Emulation |
Abstract
PDF (Русский)
|
Anna V. Bulycheva |
|
No 2 (2019): Contemporary Musicology |
Vienna Metamorphoses: From Waltz to L. Wittgenstein's Theory of Language |
Abstract
PDF (Русский)
Abstract (Русский)
|
Irina S. Stogniy |
|
No 4 (2020): Contemporary Musicology |
Vladimir Dukelsky. In Defence of Forgotten Music |
Abstract
PDF (Русский)
Abstract (Русский)
|
Antonina S. Maksimova |
|
No 3 (2017): Contemporary Musicology |
Vladimir Martinov’s Structural Archeology: Archetypes and Intertexts. |
Abstract
PDF (Русский)
|
Margarita I. Katunyan |
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