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Issue Title
 
No 4 (2023): Contemporary Musicology The Peculiarities of Orchestration in Compositions for Parade Ground Concerts of Wind Bands: The Present-Day State of the Problem Abstract   PDF (Русский)
Andrey A. Nisenbaum, Olga V. Sobakina
 
No 4 (2018): Contemporary Musicology The Performed and Unperformed Premieres of Dmitri Shostakovich’s Works at the Bolshoi Theater: from the Late 1920s to the Mid-1940s. Commentaries to the Musical Scores from the Archive of the Musical Library of the Bolshoi Theater of Russia Abstract   PDF (Русский)
Olesya A. Bobrik
 
No 1 (2021): Contemporary Musicology The phantom of the opera: Mozart's Zaide on stage Abstract   PDF (Русский)
Karina I. Zybina
 
No 1 (2017): Contemporary Musicology The principal chorale in «Clavier-Übung III» by J.S. Bach Abstract   PDF (Русский)
Elena V. Viаskova
 
No 3 (2018): Contemporary Musicology The revolution of 1917 and the phenomenon of soviet musicology Abstract   PDF (Русский)
Tatiana I. Naumenko
 
Vol 8, No 3 (2024): Contemporary Musicology The Scene of the Council Hall: the Storyline and the Structure of the Grand Final Scene in the Second Edition of Verdi’s Opera Simon Boccanegra Abstract   PDF   PDF (Русский)
Anastasia A. Logunova
 
No 3 (2023): Contemporary Musicology The Sources for Reconstruction of Piotr Lambin’s Artistic Biography Abstract   PDF (Русский)
Elena N. Baiguzina, Elizaveta M. Kolodina
 
No 4 (2020): Contemporary Musicology The Steel Step ballet by Sergei Prokofiev in Paris and London (1927) Abstract   PDF (Русский)   Abstract (Русский)
Ivan D. Porshnev
 
Vol 8, No 1 (2024): Contemporary Musicology The Structural Poetics of Nikolai Korndorf’s Piano Trio Abstract   PDF (Русский)
Yulia N. Panteleeva
 
Vol 8, No 3 (2024): Contemporary Musicology The Terms Selete and Pause in the Manuscripts of the Productions of The Seven Joys of Mary in Brussels: the Significance and the Functions Abstract   PDF   PDF (Русский)
Irina V. Klimova
 
No 4 (2019): Contemporary Musicology The Theme of Childhood in French 19th-Century Music: a First-Time Overview Abstract   PDF (Русский)   Abstract (Русский)
Irina S. Zakharbekova
 
No 1 (2023): Contemporary Musicology The “Scholarly Map of Russia” as a Research Project: An Attempt of Systematization of Musicology Abstract   PDF (Русский)
Tatiana I. Naumenko
 
No 4 (2017): Contemporary Musicology The «Polyphony» of Compositional Tools in the Music by Michael Nyman Abstract   PDF (Русский)
Aleksandra Y. Alekseeva
 
Vol 8, No 1 (2024): Contemporary Musicology Theorist, Composer, Music Teacher Mikhail Berezovsky and His “Adaptation” of Nikolay Diletsky’s Treatise Abstract   PDF (Русский)
Anna V. Bulycheva, Aleksandra V. Alexandrina
 
No 4 (2022): Contemporary Musicology Thomas Tallis’ Magnificats: Features Of The Genre Abstract   PDF (Русский)
Ekaterina V. Svirskaya
 
No 4 (2017): Contemporary Musicology Three methods of play with «loanword» in Luciano Berio’s music Abstract   PDF (Русский)
Nadezhda A. Travina, Mikhail A. Saponov
 
No 1 (2020): Contemporary Musicology To the perfect instruments of Arnolt Schlick Abstract   PDF (Русский)   Abstract (Русский)
Fedosia W. Tabyisova
 
No 2 (2019): Contemporary Musicology Topoi and Musical Narrative: D. Shostakovich. Prelude op.34 No.7 Abstract   PDF (Русский)   Abstract (Русский)
Tatiana V. Tsaregradskaya
 
No 3 (2018): Contemporary Musicology Travelling Opera Troupes in Russia: the Locatelli’s Company Abstract   PDF (Русский)
Paul V. Lutsker
 
No 2 (2022): Contemporary Musicology Trio texture in choral arrangements and polyclavier organ of Southern Germany in the first third of the 16th century Abstract   PDF (Русский)
Fedosia W. Tabyisova
 
No 2 (2017): Contemporary Musicology Tristan Topos in Alban Berg’s Music Abstract   PDF (Русский)
Yulia S. Veksler
 
No 3 (2017): Contemporary Musicology Twists of a Theme Self / Other’s with Regard to Shostakovich’s Рiano Cycle «Aphorisms» (оp.13) and Three Fugues (1934) Abstract   PDF (Русский)
Larissa L. Gerver
 
No 3 (2022): Contemporary Musicology Under the Sign of the Gnesins’ house: Marking the Anniversary of prof. Malinkovskaya Abstract   PDF (Русский)
Dmitry V. Belyak
 
No 3 (2021): Contemporary Musicology Variations on an old Russuan chant: nostalgia for Imperial Russia in the Vladimir Dukelsky's oeuvre Abstract   PDF (Русский)
Antonina S. Maksimova
 
No 4 (2018): Contemporary Musicology Vasily Kalafati’s opera Tsygany (“The Gypsies”) after Alexander Pushkin Abstract   PDF (Русский)
Stanimira S. Dermendzhieva
 
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