Browse Title Index


 
Issue Title
 
No 2 (2020): Contemporary Musicology “Chinese Style” in Music at the Turn of the 19th-20th Centuries Abstract   PDF (Русский)   Abstract (Русский)
Yulia P. Medvedeva
 
No 4 (2021): Contemporary Musicology “Every Teacher is the Driving Force Behind Science and Education” (An interview with Irina S. Stogniy). Abstract   PDF (Русский)   Abstract (Русский)
Irina S. Stogniy, Olga O. Moskvina, Svetlana A. Pavlova
 
No 3 (2020): Contemporary Musicology “I laughed like a madman at the music alone...” Borodin’s operetta heroic warriors in Victor Krylov's letters to Nikolay Savitsky Abstract   PDF (Русский)   Abstract (Русский)
Anna V. Bulycheva
 
No 2 (2020): Contemporary Musicology “Le Père-Créateur” of Modern School of Violin Playing: Marking the Anniversary of Giovanni B. Viotti Abstract   PDF (Русский)   Abstract (Русский)
Polina B. Podmazova
 
No 1 (2019): Contemporary Musicology “Listen, Salieri, my Requiem”: Requiem by V.A. Mozart in the cultural life of Russia in the 19th and early 20th centuries Abstract   PDF   Abstract
Karina I. Zybina
 
No 1 (2017): Contemporary Musicology “Own” as “another’s”, “another’s” as “own”: Prokofiev’s self-quotations, quotations and compilations Abstract   PDF (Русский)
Svetlana A. Petukhova
 
No 4 (2019): Contemporary Musicology “Russian Trace” in the Work of Harrison Birtwistle Abstract   PDF (Русский)   Abstract (Русский)
Tatiana V. Tsaregradskaya
 
No 1 (2017): Contemporary Musicology “The Blackamoor of Peter the Great”: the Introduction and a Short Guide to the Opera, Which has not received its Performance Abstract   PDF (Русский)
Olesya A. Bobrik
 
No 2 (2023): Contemporary Musicology “The Riddle” about the Centre in the Fifth Movement of Anton Webern’s Cantata op. 31 Abstract   PDF (Русский)
Larisa L. Gerver
 
No 2 (2020): Contemporary Musicology “The Shadow of Night” by Harrison Birtwistle: Poetics of the Composition Abstract   PDF (Русский)   Abstract (Русский)
Tatiana V. Tsaregradskaya
 
Vol 8, No 1 (2024): Contemporary Musicology ‘I Invoke You to Understand My Despair Due to the Disruption of the Production Plan.’ Yuri Shaporin, Elena Malinovskaya and the Bolshoi Theater in the First Half of the 1930s Abstract   PDF   PDF (Русский)
Petr N. Gordeev
 
No 1 (2020): Contemporary Musicology ‘Serious’ and ‘non-serious’ music by Natalya Khondo Abstract   PDF (Русский)   Abstract (Русский)
Ekaterina V. Маkartseva
 
No 4 (2017): Contemporary Musicology «Deconstruction» of Symphony Orchestra in Electroacoustic Compositions by I. Xenakis Abstract   PDF (Русский)
Anna V. Stoyanova
 
No 4 (2018): Contemporary Musicology «On censorial requests of the officials and “censorial desperations” of opera composers during the Czarist-era» Abstract   PDF (Русский)
Svetlana K. Laschenko
 
No 4 (2018): Contemporary Musicology «Opera “The Gambler” in Prokofiev’s diary» Abstract   PDF (Русский)
Larisa L. Gerver
 
No 2 (2017): Contemporary Musicology «Own» and «Another’s» in Creative Works by Nikolai Korndorf Abstract   PDF (Русский)
Evgeniya I. Chigareva
 
No 4 (2019): Contemporary Musicology «Préludes» by Claude Debussy — the Idea of the Work as a Cycle Abstract   PDF   Abstract
Tijana P. Mladjenović, Ivana P. Lozo
 
No 2 (2019): Contemporary Musicology «The Composer’s Word and the Composer as Seen by Others»: the 18th Anniversary of the Musicology Project in the Gnessins Russian Academy of Music Abstract   PDF (Русский)   Abstract (Русский)
Yulia N. Panteleeva
 
No 2 (2022): Contemporary Musicology С. Le Jeune's Dodecahorde: The Composer’s Approach to the Original Source Abstract   PDF (Русский)   Abstract (Русский)
Grigory I. Lyzhov
 
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