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Issue Title
 
No 4 (2017): Contemporary Musicology The «Polyphony» of Compositional Tools in the Music by Michael Nyman Abstract   PDF (Русский)
Aleksandra Y. Alekseeva
 
Vol 8, No 1 (2024): Contemporary Musicology Theorist, Composer, Music Teacher Mikhail Berezovsky and His “Adaptation” of Nikolay Diletsky’s Treatise Abstract   PDF (Русский)
Anna V. Bulycheva, Aleksandra V. Alexandrina
 
No 4 (2022): Contemporary Musicology Thomas Tallis’ Magnificats: Features Of The Genre Abstract   PDF (Русский)
Ekaterina V. Svirskaya
 
No 4 (2017): Contemporary Musicology Three methods of play with «loanword» in Luciano Berio’s music Abstract   PDF (Русский)
Nadezhda A. Travina, Mikhail A. Saponov
 
No 1 (2020): Contemporary Musicology To the perfect instruments of Arnolt Schlick Abstract   PDF (Русский)   Abstract (Русский)
Fedosia W. Tabyisova
 
No 2 (2019): Contemporary Musicology Topoi and Musical Narrative: D. Shostakovich. Prelude op.34 No.7 Abstract   PDF (Русский)   Abstract (Русский)
Tatiana V. Tsaregradskaya
 
Vol 9, No 2 (2025): Contemporary Musicology Traditional Regional Features in Xiangtong Xi Musical Drama Abstract   PDF (Русский)   PDF
Jianfu Li
 
No 3 (2018): Contemporary Musicology Travelling Opera Troupes in Russia: the Locatelli’s Company Abstract   PDF (Русский)
Paul V. Lutsker
 
No 2 (2022): Contemporary Musicology Trio texture in choral arrangements and polyclavier organ of Southern Germany in the first third of the 16th century Abstract   PDF (Русский)
Fedosia W. Tabyisova
 
No 2 (2017): Contemporary Musicology Tristan Topos in Alban Berg’s Music Abstract   PDF (Русский)
Yulia S. Veksler
 
No 3 (2017): Contemporary Musicology Twists of a Theme Self / Other’s with Regard to Shostakovich’s Рiano Cycle «Aphorisms» (оp.13) and Three Fugues (1934) Abstract   PDF (Русский)
Larissa L. Gerver
 
No 3 (2022): Contemporary Musicology Under the Sign of the Gnesins’ house: Marking the Anniversary of prof. Malinkovskaya Abstract   PDF (Русский)
Dmitry V. Belyak
 
Vol 9, No 2 (2025): Contemporary Musicology Unknown Composer of the East Slavic Baroque Kaplinsky and His Easter Concert Abstract   PDF (Русский)   PDF
Irina V. Gerasimova
 
No 3 (2021): Contemporary Musicology Variations on an old Russuan chant: nostalgia for Imperial Russia in the Vladimir Dukelsky's oeuvre Abstract   PDF (Русский)
Antonina S. Maksimova
 
No 4 (2018): Contemporary Musicology Vasily Kalafati’s opera Tsygany (“The Gypsies”) after Alexander Pushkin Abstract   PDF (Русский)
Stanimira S. Dermendzhieva
 
No 1 (2017): Contemporary Musicology Vasily Titov—Gerasim (Zavadovsky)—Kirill Zayushevich: Artistic Dialogue, Artistic Emulation Abstract   PDF (Русский)
Anna V. Bulycheva
 
Vol 8, No 4 (2024): Contemporary Musicology Vasily Titov’s Two-choir Concertos in Light of Nikolai Diletsky’s Amplification Theory Abstract   PDF   PDF (Русский)
Natalia Yu. Plotnikova
 
No 2 (2019): Contemporary Musicology Vienna Metamorphoses: From Waltz to L. Wittgenstein's Theory of Language Abstract   PDF (Русский)   Abstract (Русский)
Irina S. Stogniy
 
No 4 (2020): Contemporary Musicology Vladimir Dukelsky. In Defence of Forgotten Music Abstract   PDF (Русский)   Abstract (Русский)
Antonina S. Maksimova
 
No 3 (2017): Contemporary Musicology Vladimir Martinov’s Structural Archeology: Archetypes and Intertexts. Abstract   PDF (Русский)
Margarita I. Katunyan
 
Vol 8, No 3 (2024): Contemporary Musicology Vocal Ornamentation in Caccini: From Theory to Practice Abstract   PDF   PDF (Русский)
Elena V. Kruglova
 
No 2 (2021): Contemporary Musicology War and Peace: Biographical Milestones Abstract   PDF (Русский)
Svetlana A. Petukhova
 
Vol 9, No 2 (2025): Contemporary Musicology Wedding Songs of the Novgorod Region: To the Issue of the Tunes Territorial Distribution Abstract   PDF (Русский)   PDF
Inga V. Korolkova
 
No 4 (2022): Contemporary Musicology Western Slavic Motifs in the Works of Russian Composers of the Second Half of the 19th Century Abstract   PDF (Русский)
Elizaveta A. Shavyrina
 
No 1 (2018): Современные проблемы музыкознания Why americans so love Schenker (and Riemann even more) Abstract   PDF (Русский)
Philip Ewell
 
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