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Issue |
Title |
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No 1 (2017): Contemporary Musicology |
Vasily Titov—Gerasim (Zavadovsky)—Kirill Zayushevich: Artistic Dialogue, Artistic Emulation |
Abstract
PDF (Русский)
|
Anna V. Bulycheva |
|
Vol 8, No 4 (2024): Contemporary Musicology |
Vasily Titov’s Two-choir Concertos in Light of Nikolai Diletsky’s Amplification Theory |
Abstract
PDF
PDF (Русский)
|
Natalia Yu. Plotnikova |
|
No 2 (2019): Contemporary Musicology |
Vienna Metamorphoses: From Waltz to L. Wittgenstein's Theory of Language |
Abstract
PDF (Русский)
Abstract (Русский)
|
Irina S. Stogniy |
|
No 4 (2020): Contemporary Musicology |
Vladimir Dukelsky. In Defence of Forgotten Music |
Abstract
PDF (Русский)
Abstract (Русский)
|
Antonina S. Maksimova |
|
No 3 (2017): Contemporary Musicology |
Vladimir Martinov’s Structural Archeology: Archetypes and Intertexts. |
Abstract
PDF (Русский)
|
Margarita I. Katunyan |
|
Vol 8, No 3 (2024): Contemporary Musicology |
Vocal Ornamentation in Caccini: From Theory to Practice |
Abstract
PDF
PDF (Русский)
|
Elena V. Kruglova |
|
No 2 (2021): Contemporary Musicology |
War and Peace: Biographical Milestones |
Abstract
PDF (Русский)
|
Svetlana A. Petukhova |
|
No 4 (2022): Contemporary Musicology |
Western Slavic Motifs in the Works of Russian Composers of the Second Half of the 19th Century |
Abstract
PDF (Русский)
|
Elizaveta A. Shavyrina |
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No 1 (2018): Современные проблемы музыкознания |
Why americans so love Schenker (and Riemann even more) |
Abstract
PDF (Русский)
|
Philip Ewell |
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No 2 (2021): Contemporary Musicology |
Wilhelm Friedemann Bach’s Clavier Fantasies: A Creative Dialogue with the Father. |
Abstract
PDF (Русский)
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Arseny I. Ivanov |
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No 4 (2017): Contemporary Musicology |
Working on the Soviet Opera after 1936 |
Abstract
PDF (Русский)
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Tatiana I. Naumenko |
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No 2 (2020): Contemporary Musicology |
“Chinese Style” in Music at the Turn of the 19th-20th Centuries |
Abstract
PDF (Русский)
Abstract (Русский)
|
Yulia P. Medvedeva |
|
No 4 (2021): Contemporary Musicology |
“Every Teacher is the Driving Force Behind Science and Education” (An interview with Irina S. Stogniy). |
Abstract
PDF (Русский)
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Irina S. Stogniy, Olga O. Moskvina, Svetlana A. Pavlova |
|
No 3 (2020): Contemporary Musicology |
“I laughed like a madman at the music alone...” Borodin’s operetta heroic warriors in Victor Krylov's letters to Nikolay Savitsky |
Abstract
PDF (Русский)
Abstract (Русский)
|
Anna V. Bulycheva |
|
No 2 (2020): Contemporary Musicology |
“Le Père-Créateur” of Modern School of Violin Playing: Marking the Anniversary of Giovanni B. Viotti |
Abstract
PDF (Русский)
Abstract (Русский)
|
Polina B. Podmazova |
|
No 1 (2019): Contemporary Musicology |
“Listen, Salieri, my Requiem”: Requiem by V.A. Mozart in the cultural life of Russia in the 19th and early 20th centuries |
Abstract
PDF
Abstract
|
Karina I. Zybina |
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No 1 (2017): Contemporary Musicology |
“Own” as “another’s”, “another’s” as “own”: Prokofiev’s self-quotations, quotations and compilations |
Abstract
PDF (Русский)
|
Svetlana A. Petukhova |
|
No 4 (2019): Contemporary Musicology |
“Russian Trace” in the Work of Harrison Birtwistle |
Abstract
PDF (Русский)
Abstract (Русский)
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Tatiana V. Tsaregradskaya |
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Vol 8, No 4 (2024): Contemporary Musicology |
“Spanish Trace” in the Plot, Libretto, and Stage Performances of Beethoven’s Opera Fidelio |
Abstract
PDF
PDF (Русский)
|
Larisa V. Kirillina |
|
No 1 (2017): Contemporary Musicology |
“The Blackamoor of Peter the Great”: the Introduction and a Short Guide to the Opera, Which has not received its Performance |
Abstract
PDF (Русский)
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Olesya A. Bobrik |
|
No 2 (2023): Contemporary Musicology |
“The Riddle” about the Centre in the Fifth Movement of Anton Webern’s Cantata op. 31 |
Abstract
PDF (Русский)
|
Larisa L. Gerver |
|
No 2 (2020): Contemporary Musicology |
“The Shadow of Night” by Harrison Birtwistle: Poetics of the Composition |
Abstract
PDF (Русский)
Abstract (Русский)
|
Tatiana V. Tsaregradskaya |
|
Vol 8, No 1 (2024): Contemporary Musicology |
‘I Invoke You to Understand My Despair Due to the Disruption of the Production Plan.’ Yuri Shaporin, Elena Malinovskaya and the Bolshoi Theater in the First Half of the 1930s |
Abstract
PDF
PDF (Русский)
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Petr N. Gordeev |
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No 1 (2020): Contemporary Musicology |
‘Serious’ and ‘non-serious’ music by Natalya Khondo |
Abstract
PDF (Русский)
Abstract (Русский)
|
Ekaterina V. Маkartseva |
|
No 4 (2017): Contemporary Musicology |
«Deconstruction» of Symphony Orchestra in Electroacoustic Compositions by I. Xenakis |
Abstract
PDF (Русский)
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Anna V. Stoyanova |
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