Browse Title Index


 
Issue Title
 
No 1 (2017): Contemporary Musicology Vasily Titov—Gerasim (Zavadovsky)—Kirill Zayushevich: Artistic Dialogue, Artistic Emulation Abstract   PDF (Русский)
Anna V. Bulycheva
 
Vol 8, No 4 (2024): Contemporary Musicology Vasily Titov’s Two-choir Concertos in Light of Nikolai Diletsky’s Amplification Theory Abstract   PDF   PDF (Русский)
Natalia Yu. Plotnikova
 
No 2 (2019): Contemporary Musicology Vienna Metamorphoses: From Waltz to L. Wittgenstein's Theory of Language Abstract   PDF (Русский)   Abstract (Русский)
Irina S. Stogniy
 
No 4 (2020): Contemporary Musicology Vladimir Dukelsky. In Defence of Forgotten Music Abstract   PDF (Русский)   Abstract (Русский)
Antonina S. Maksimova
 
No 3 (2017): Contemporary Musicology Vladimir Martinov’s Structural Archeology: Archetypes and Intertexts. Abstract   PDF (Русский)
Margarita I. Katunyan
 
Vol 8, No 3 (2024): Contemporary Musicology Vocal Ornamentation in Caccini: From Theory to Practice Abstract   PDF   PDF (Русский)
Elena V. Kruglova
 
No 2 (2021): Contemporary Musicology War and Peace: Biographical Milestones Abstract   PDF (Русский)
Svetlana A. Petukhova
 
No 4 (2022): Contemporary Musicology Western Slavic Motifs in the Works of Russian Composers of the Second Half of the 19th Century Abstract   PDF (Русский)
Elizaveta A. Shavyrina
 
No 1 (2018): Современные проблемы музыкознания Why americans so love Schenker (and Riemann even more) Abstract   PDF (Русский)
Philip Ewell
 
No 2 (2021): Contemporary Musicology Wilhelm Friedemann Bach’s Clavier Fantasies: A Creative Dialogue with the Father. Abstract   PDF (Русский)
Arseny I. Ivanov
 
No 4 (2017): Contemporary Musicology Working on the Soviet Opera after 1936 Abstract   PDF (Русский)
Tatiana I. Naumenko
 
No 2 (2020): Contemporary Musicology “Chinese Style” in Music at the Turn of the 19th-20th Centuries Abstract   PDF (Русский)   Abstract (Русский)
Yulia P. Medvedeva
 
No 4 (2021): Contemporary Musicology “Every Teacher is the Driving Force Behind Science and Education” (An interview with Irina S. Stogniy). Abstract   PDF (Русский)
Irina S. Stogniy, Olga O. Moskvina, Svetlana A. Pavlova
 
No 3 (2020): Contemporary Musicology “I laughed like a madman at the music alone...” Borodin’s operetta heroic warriors in Victor Krylov's letters to Nikolay Savitsky Abstract   PDF (Русский)   Abstract (Русский)
Anna V. Bulycheva
 
No 2 (2020): Contemporary Musicology “Le Père-Créateur” of Modern School of Violin Playing: Marking the Anniversary of Giovanni B. Viotti Abstract   PDF (Русский)   Abstract (Русский)
Polina B. Podmazova
 
No 1 (2019): Contemporary Musicology “Listen, Salieri, my Requiem”: Requiem by V.A. Mozart in the cultural life of Russia in the 19th and early 20th centuries Abstract   PDF   Abstract
Karina I. Zybina
 
No 1 (2017): Contemporary Musicology “Own” as “another’s”, “another’s” as “own”: Prokofiev’s self-quotations, quotations and compilations Abstract   PDF (Русский)
Svetlana A. Petukhova
 
No 4 (2019): Contemporary Musicology “Russian Trace” in the Work of Harrison Birtwistle Abstract   PDF (Русский)   Abstract (Русский)
Tatiana V. Tsaregradskaya
 
Vol 8, No 4 (2024): Contemporary Musicology “Spanish Trace” in the Plot, Libretto, and Stage Performances of Beethoven’s Opera Fidelio Abstract   PDF   PDF (Русский)
Larisa V. Kirillina
 
No 1 (2017): Contemporary Musicology “The Blackamoor of Peter the Great”: the Introduction and a Short Guide to the Opera, Which has not received its Performance Abstract   PDF (Русский)
Olesya A. Bobrik
 
No 2 (2023): Contemporary Musicology “The Riddle” about the Centre in the Fifth Movement of Anton Webern’s Cantata op. 31 Abstract   PDF (Русский)
Larisa L. Gerver
 
No 2 (2020): Contemporary Musicology “The Shadow of Night” by Harrison Birtwistle: Poetics of the Composition Abstract   PDF (Русский)   Abstract (Русский)
Tatiana V. Tsaregradskaya
 
Vol 8, No 1 (2024): Contemporary Musicology ‘I Invoke You to Understand My Despair Due to the Disruption of the Production Plan.’ Yuri Shaporin, Elena Malinovskaya and the Bolshoi Theater in the First Half of the 1930s Abstract   PDF   PDF (Русский)
Petr N. Gordeev
 
No 1 (2020): Contemporary Musicology ‘Serious’ and ‘non-serious’ music by Natalya Khondo Abstract   PDF (Русский)   Abstract (Русский)
Ekaterina V. Маkartseva
 
No 4 (2017): Contemporary Musicology «Deconstruction» of Symphony Orchestra in Electroacoustic Compositions by I. Xenakis Abstract   PDF (Русский)
Anna V. Stoyanova
 
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