|
Issue |
Title |
|
No 4 (2017): Contemporary Musicology |
The «Polyphony» of Compositional Tools in the Music by Michael Nyman |
Abstract
PDF (Русский)
|
Aleksandra Y. Alekseeva |
|
Vol 8, No 1 (2024): Contemporary Musicology |
Theorist, Composer, Music Teacher Mikhail Berezovsky and His “Adaptation” of Nikolay Diletsky’s Treatise |
Abstract
PDF (Русский)
|
Anna V. Bulycheva, Aleksandra V. Alexandrina |
|
No 4 (2022): Contemporary Musicology |
Thomas Tallis’ Magnificats: Features Of The Genre |
Abstract
PDF (Русский)
|
Ekaterina V. Svirskaya |
|
No 4 (2017): Contemporary Musicology |
Three methods of play with «loanword» in Luciano Berio’s music |
Abstract
PDF (Русский)
|
Nadezhda A. Travina, Mikhail A. Saponov |
|
No 1 (2020): Contemporary Musicology |
To the perfect instruments of Arnolt Schlick |
Abstract
PDF (Русский)
Abstract (Русский)
|
Fedosia W. Tabyisova |
|
No 2 (2019): Contemporary Musicology |
Topoi and Musical Narrative: D. Shostakovich. Prelude op.34 No.7 |
Abstract
PDF (Русский)
Abstract (Русский)
|
Tatiana V. Tsaregradskaya |
|
Vol 9, No 2 (2025): Contemporary Musicology |
Traditional Regional Features in Xiangtong Xi Musical Drama |
Abstract
PDF (Русский)
PDF
|
Jianfu Li |
|
No 3 (2018): Contemporary Musicology |
Travelling Opera Troupes in Russia: the Locatelli’s Company |
Abstract
PDF (Русский)
|
Paul V. Lutsker |
|
No 2 (2022): Contemporary Musicology |
Trio texture in choral arrangements and polyclavier organ of Southern Germany in the first third of the 16th century |
Abstract
PDF (Русский)
|
Fedosia W. Tabyisova |
|
No 2 (2017): Contemporary Musicology |
Tristan Topos in Alban Berg’s Music |
Abstract
PDF (Русский)
|
Yulia S. Veksler |
|
No 3 (2017): Contemporary Musicology |
Twists of a Theme Self / Other’s with Regard to Shostakovich’s Рiano Cycle «Aphorisms» (оp.13) and Three Fugues (1934) |
Abstract
PDF (Русский)
|
Larissa L. Gerver |
|
No 3 (2022): Contemporary Musicology |
Under the Sign of the Gnesins’ house: Marking the Anniversary of prof. Malinkovskaya |
Abstract
PDF (Русский)
|
Dmitry V. Belyak |
|
Vol 9, No 2 (2025): Contemporary Musicology |
Unknown Composer of the East Slavic Baroque Kaplinsky and His Easter Concert |
Abstract
PDF (Русский)
PDF
|
Irina V. Gerasimova |
|
No 3 (2021): Contemporary Musicology |
Variations on an old Russuan chant: nostalgia for Imperial Russia in the Vladimir Dukelsky's oeuvre |
Abstract
PDF (Русский)
|
Antonina S. Maksimova |
|
No 4 (2018): Contemporary Musicology |
Vasily Kalafati’s opera Tsygany (“The Gypsies”) after Alexander Pushkin |
Abstract
PDF (Русский)
|
Stanimira S. Dermendzhieva |
|
No 1 (2017): Contemporary Musicology |
Vasily Titov—Gerasim (Zavadovsky)—Kirill Zayushevich: Artistic Dialogue, Artistic Emulation |
Abstract
PDF (Русский)
|
Anna V. Bulycheva |
|
Vol 8, No 4 (2024): Contemporary Musicology |
Vasily Titov’s Two-choir Concertos in Light of Nikolai Diletsky’s Amplification Theory |
Abstract
PDF
PDF (Русский)
|
Natalia Yu. Plotnikova |
|
No 2 (2019): Contemporary Musicology |
Vienna Metamorphoses: From Waltz to L. Wittgenstein's Theory of Language |
Abstract
PDF (Русский)
Abstract (Русский)
|
Irina S. Stogniy |
|
No 4 (2020): Contemporary Musicology |
Vladimir Dukelsky. In Defence of Forgotten Music |
Abstract
PDF (Русский)
Abstract (Русский)
|
Antonina S. Maksimova |
|
No 3 (2017): Contemporary Musicology |
Vladimir Martinov’s Structural Archeology: Archetypes and Intertexts. |
Abstract
PDF (Русский)
|
Margarita I. Katunyan |
|
Vol 8, No 3 (2024): Contemporary Musicology |
Vocal Ornamentation in Caccini: From Theory to Practice |
Abstract
PDF
PDF (Русский)
|
Elena V. Kruglova |
|
No 2 (2021): Contemporary Musicology |
War and Peace: Biographical Milestones |
Abstract
PDF (Русский)
|
Svetlana A. Petukhova |
|
Vol 9, No 2 (2025): Contemporary Musicology |
Wedding Songs of the Novgorod Region: To the Issue of the Tunes Territorial Distribution |
Abstract
PDF (Русский)
PDF
|
Inga V. Korolkova |
|
No 4 (2022): Contemporary Musicology |
Western Slavic Motifs in the Works of Russian Composers of the Second Half of the 19th Century |
Abstract
PDF (Русский)
|
Elizaveta A. Shavyrina |
|
No 1 (2018): Современные проблемы музыкознания |
Why americans so love Schenker (and Riemann even more) |
Abstract
PDF (Русский)
|
Philip Ewell |
|
151 - 175 of 197 Items |
<< < 2 3 4 5 6 7 8 > >> |